What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movement(s) does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors of this book address these questions in a variety of writing practices, each focusing on specific scenes.

The hypothesis of a genuine cultural logic of environmentalization, at the intersection of art, media and cultural studies as well as economic theory.

Perspectives on the alteration of the conditions of critique and critical practices within the digital world.

Heterogeneous approaches to legal criticism.

An ensemble of essays on the multifarious forms of the critique, showing how these forms are determined by their study object, and how it translates into critical stances.