Nero

Neglected, abandoned, forgotten women: a series portraits, mostly female, constitutes the fulcrum of this book on Lucìe, the project by Nicola Samorì exhibited at Mart in Rovereto.

Julien Carreyn captures the singularity and strangeness of a cultural center during a residency.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

The first of three issues of a periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022).

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book's final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

A critical analysis of the format of the curatorial residency as a research model.

The history of Soviet and post-Soviet art from 1970 to the present through the essays of thirty authors and the works of more than fifty artists.

A bucolic pictorial / photographic project by Julien Carreyn around a French watermill.

A reference book containing all the transcripts of Simone Forti's News Animations.

The report of the third edition of The Experimental Education Protocol, an alternative educational model imagined by the artist Angelo Plessas, organized in the form of a sailboat cruise in the Aegean Sea.

Marialba Russo's collection of photographs of Italian porno film posters from the 1970s, questioning both the view of the original images and their later exhibition.

First retrospective monograph: an essential resource for any in-depth critical study of Chiara Fumai's work and thought, including a first systematic analysis of her oeuvre.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

A body of essays and visual contributions by radical theorists around the prosthesis and the "augmented body" issues.

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

Monograph / artist's book.

Retrospective monograph.

This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

The content of this book is the result of a series of solo exhibitions; staged outside of any gallery space, visually undocumented, and taking place without visitors.

Around 1999, artist Becky Beasley began writing to her former tutor, Claire Scanlon, who kept her letters but never replied. Years later, in 2016, the two began to intermittently record their conversations, now as friends.

A conversation about Ergonomic Futures, Tyler Coburn's furniture for humans to come.

Publication accompanying the eponymous film by Danilo Correale, They Will Say I Killed Them is an investigation on Italian film projects that were aborted due to censorship, from the 1950s to the 80s.

Artist designer Canedicoda built a a temporary tailor's atelier, where clothes were build directly onto the visitors' bodies. Conceived halfway between a journal and an inventory, this publication documents each phase of the project, collects pictures of the 100 actual garments, as well as participants' feedbacks.

Cicoria is a visual essay conceived as a stream of images of the Alessandro Cicoria's past and current artworks, put together with apparently no visual coherence by Cicoria himself. A dialogue between the artist and curator Luca Lo Pinto is the map to understand the peculiar attitude behind his work and vision.

Opened to the public since 2005, Codalunga is a section of Nico Vascellari's studio in Vittorio Veneto devoted to experiments in visual and sound art. This publication documents a project which has been going on for a decade now, gathering artists from all around the world.

An interview with artist James Hoff by theorist writer Marian Kaiser, focusing on Hoff's publishing practice and reflections on books.

A collection of selected images and conversations from the artist collective GCC's five-year WhatsApp archive.

Set behind the scenes of Badlands Unlimited, an artist-run, New York-based publishing company, this three- act play follows the characters as they launch an erotic novella, deal with internal conflicts, and imagine the promise and threat of technology between the pages and in our lives. Badlands Unlimited is a comedy of errors that morphs into a deeper meditation on art and mortality.

The first overview on the work of Italian artist Alessandro Piangiamore, with commissioned texts, a comprehensive portfolio of artworks, and the artist's visual references. All the repertoire of Piangiamore speaks of his need to conceive form as something that's open and mutual, and sculptures as objects capable of revealing an absence, a negative trace of that constant passage of state.

A survey of the eponymous project, which materialized between 2012 and 2017 in different remote places around the world—an annual gathering initiated by artist Angelo Plessas for a community of cultural practitioners concerned with our post-technological life.

This publication stems from the 2018 edition of ARCO – Madrid international contemporary art fair. Taking as a point of departure the exploration of the concept of “future,” Chus Martínez, Elise Lammer, and Rosa Lleó wrote essays discussing different topics (art fairs, human evolution, and experimental education). These texts are illustrated by works by nineteen artists featured at the Madrid fair.

In a junction of artist's book, illustrated sci-fi story, and a glossary of sculptural objects Ludovica Carbotta explores the concept of “fictional site-specificity” through different media, authorships, and descriptive strategies: a site-oriented practice that considers imaginary places, or real places within fictional contexts, to recover the role of imagination in the process of constructing knowledge.

This artist's book is based on a namesake project of video installations and art objects exploring the transformation of the image within time and space. With texts and drawings by curator Vitaly Patsyukov.

An intimate diary in the shape of an apparently cold, monochromatic book, Negative Book collects a series of eighty-four black-and-white photographs taken by Grzeszykowska following a very particular procedure, which is both visual and performative.

The first publication by Roberto Timperi gathers more than ten years of photographic work: an intimate diary and a one-way ticket into the underground world.

A companion to his previous book, Colour in Contextual Play, Joseph Kosuth's Neon in Contextual Play continues the artist's investigation of the interplay between language and reality, words and objects, color and light. Within these pairings, early neon works by Kosuth interact with those by Arte Povera artists who also used the industrial medium.

Fifty years of graphic and editorial production of one of the most visionary artists of his generation—Enzo Cucchi. The catalogue includes more than a hundred plates, ordered chronologically, photographic reproductions, detailed information, and a series of essays by reknowned contributors.

This artist's book reactivates a press controversy which took place in 1970s London and affected the Tate Galleries' collecting strategies—in particular, the acquisition of Equivalent VIII, a work by minimalist artist Carl Andre made in firebrick.

The Painter is a robot programmed to paint and to improvise and generate unexpected narratives—in response to visitors entering. It is center piece of a larger project lead by Italian artist Piero Gola at the Kunsthaus Baselland—documented in this publication. Includes a text by Ines Goldbach, and an interview with the artist by Jonathan Monk.

Publication gathering a selection of materials—texts and artworks—produced during a series of discussions and workshops on contemporary painting held at the Istituto Svizzero di Roma. Artists of different generations, areas of meaning and geographical origins were brought together to debate around the value of painting today and its role in today's society.

This publication provides a peek into the practice and work of the Swiss artist, using a selection of black and white “behind-the-scenes” photographs taken from Kaspar's hard disk. An additional booklet includes a list of works as they appear in the book as well as a text by artist Mikael Brkic and a longer essay by art historian Daniel Horn.

Cloak is a total-blue book which documents a site-specific intervention by Mike Nelson in the UBS building in Monaco. The artist has painted every single room and detail of the building with a pigment called ultramarine blue, extracted from the precious lapislazzuli—originally from the Middle East, and more expensive than gold.