Nero

A collection of visual incursions by Italian artist Emilio Prini in dozens of exhibition catalogues and print publications over the course of five decades. Meticulously researched, and yet necessarily incomplete, this book is a glimpse into the subtlety with which Prini turned each engagement with the world of ideas into a joust for mastery over space, time, and form.

The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the Soviet director developed in his Mexican project, Que viva Mexico!, this book also extends its analysis to the film projects Bezhin Meadow and The Great Fergana Canal.

Designed by the founder of Conceptual Art, this elegant and precious artist's book—and exhibition catalogue—serves as a visual analysis of the conceptual structures that interrogate the nature of color, form, space, and time, where the works and writings of Post-war artists such as Castellani, Fontana, Manzoni, and Klein, converse with Kosuth's statements, and the theoretical as well as personal account of curator Cornelia Lauf.

A B BC is an artist book by Sven Sachsalber which collects 150 collages made in the last five years out of the notorious Artforum's back advertising covers of Bruno Bischofberger Gallery.

First publication to present the work of Italian sculptor Chiara Camoni from the outset until today. It gathers artworks, the artists' writings, and texts commissioned for the occasion.

Halfway between the catalogue and the artist's book, From Some Paintings gathers a selection of still life paintings made between 2000 and 2010. Translated into black and white images, these works represents small everyday objects, alternating full size reproductions and details.

This artist's book documents the wind and weather conditions around the German Pavilion of the 56th Venice Biennial, which were recorded over the period of Nicolai's exhibition by a weather station positioned on the roof (limited, numbered and signed edition).

A hybrid publication beween a catalogue and an artist's book, articulated on two different registers: a flip-book consisting of the frames of the two videos shown in the exhibition at MAXXI, published on all of the right pages in the book; and a section of critical texts and images documenting the exhibition, on the left.

The catalogue of Metzger's first extensive overview: divided into sections—each of which is accompanied by a critical text—corresponding to those presented in the exhibition, the publication provides systematic insight into an artistic oeuvre considered as one of the most important in the 20th century (with texts by Mathieu Copeland, Hans Ulrich Obrist, Yoko Ono, Hermann Nitsch…).

The book documents a mixed-media installation by Sam Falls where the artist explores ways of faithfully representing time and understanding it through art. For Falls, time is elusive and the future is “filled with meaning” only when it becomes “now”. The present, divided between past and future, has the optimism of production and the melancholy of aging.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

A sound installation and collaborative project with a survival station for the homeless in Cologne (color vinyl, with David Sylvian, Demdike Stare, Pye Corner Audio, Pluramon...).

A collection of nightclub VIP bottle service receipts.

Luca Trevisiani stamps images derived from antique herbaria and design magazines on objects with heterogeneous surfaces (textiles, clothing, tropical leaves, minerals).

This vinyl edition collects several field-recordings of Matteo Nasini's aeolian instruments, executed by the artist in different places and conditions. Together with the vinyl, the edition presents eight large-format artist's prints related to the same practice.

A photographic documentation, with some critical essays, of the artist's exhibition at Galleria Borghese where three multimedia works are displayed on freestanding structures inspired by the paintings of Caravaggio: a meditation on our fondness for contemplating images of mortality or death, and the different ways of manipulating viewer experience.