Mousse

Alan Michael, Jesse Wine, Beth Collar, Peter Fend, Tau Lewis, Robin Peckham, McKenzie Wark...

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

First comprehensive monograph.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

The first comprehensive publication to cover the artist's output from the last ten years.

An unusual vantage on the history of cinematic production in the twentieth century.

This catalogue demonstrates the complexity of Diego Perrone's practice with a thorough analysis of his work from the beginning to the present day.

An in-depth introduction to the artistic practice of Lea Porsager.

An artistic research on the political construction of representations of socialist and capitalist modernity during the Cold War, through a history of exhibitions.

First comprehensive monograph.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

An overview of the Israeli artist's photographic production.

An exhaustive documentation on ZimmerFrei's eponymous trilogy of short films.

Ça m'est égal: The Involution of Desire by Estelle Hoy; Hervé Guibert by Pierre-Alexandre Mateos and Charles Teyssou; Julien Nguyen by Mónica Belevan; Andrew Berardini on artist, writer, and Semiotext(e) coeditor Hedi El Kholti; Tsai Ming-liang by Dora Budor; Wendy Vogel on artist and writer Rosemary Mayer (1943–2014), one of the founding members of A.I.R., New York's first all-women cooperative gallery; Carolyn Lazard by Richard Birkett; Tuan Andrew Nguyen converses with Rahel Aima...

Artist's book.

This volume outlines the multiple trajectories that led to one of Mario Merz's most significant bodies of work: the igloos. Essays by Germano Celant, Lisa Le Feuvre, Pietro Rigolo, and Mariano Boggia complement a lavish array of illustrations and hitherto unpublished documents, including a 1974 interview with Merz conducted by Harald Szeemann, and a photographic reconstruction of the Igloos exhibition at the Pirelli HangarBicocca.

Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.

First comprehensive monograph.

First monograph.

This book revolves around the cycle Topography of Terror, initiated by artists Elisa Caldana and Diego Tonus in 2017, and presents the making-of process behind Topography of Terror (19.12.2016) and Never Again, the first two episodes of the cycle.

This retrospective monograph, with a dozen previously unpublished texts and a long interview with the artist, reveals the challenges of Portuguese artist Diogo Pimentão's resolutely expanded practice of drawing, informed as much by dance as sculpture or performance.

New monograph.

The Musical Chairs That Is Capitalism by Estelle Hoy; Hudinilson Jr. by Paulo Miyada, walking in Chicago with Hendrik Folkerts; Brook Hsu in conversation with Ross Simonini; a short story by Travis Jeppesen; Primavera (An Elegy) by Sabrina Tarasoff; Anthropy: What the Post-Human Looks Like by Dieter Roelstraete; Ian Wilson by Catherine Wood; Omar Kholeif charts the ailing effects of living in an increasingly sick society...

A journey through Western artistic culture with thirty-nine ancient and contemporary works from the Fabrizio Moretti collection, from the Gothic period to the experiments of the last ten years, passing through Mannerism and the Baroque.

Bri Williams by Harry Burke, Virginia Overton by Ian Wooldridge, Pati Hill by Maurin Dietrich, Ann Greene Kelly by Andrew Berardini, On psychotic images and other visual symptoms by Aurélien Le Genissel, Todd Haynes's Dark Waters and new new left cinema, Larry Bell by Marie de Brugerolle, Pierre Guyotat by Estelle Hoy, Gabriel Kuri by Chris Sharp, Suellen Rocca by Hans Ulrich Obrist...

An anthology of both newly commissioned and reprinted essays, as well as interviews and fiction that reflect on performance today.

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

Large-sized monograph based on Adrián Villar Rojas' “Brick Farm” series.

This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

New catalogue.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

Second volume of a publication dedicated to the artist's novel, this metafiction follows a detective investigating the conditions of production of a novel within an artistic framework.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

Every Force Evolves a Form by Alessandro Bava; Design, Reset: Studio Formafantasma in Conversation with Alessandro Rabottini; Clinical Cosmology: Tishan Hsu by Hera Chan; Oceanic Time-Lag: on Mati Diop's “Atlantics” by Dora Budor...

The first of a two-volume publication dedicated to the artist's novel, this theoretical essay aims to elucidate the pressing questions posed by the emergence of this new artistic medium with a number of key case studies and interviews.

The two volumes of the publication dedicated to the artist's novel (two-books set special offer).

Anthology of essays written alongside the exhibitions at the Wattis Institute between 2014 and 2019. Celebrating the wide range of voices and forms of curatorial writing, this volume is a unique contribution to the study of art criticism, curation, and the history of exhibitions.

A multidisciplinary anthology—ranging from fiction and photography to academic essays—inspired by the provocative architectural theories of Madeline Gins and Arakawa.

Publication documenting the award-winning web series Revisiting Genesis by Oreet Ashery. This documentary fiction on mourning in the digital age explores complex issues such as gender and death, digital reincarnation, and women artists.

First monographic catalogue dedicated to multimedia artist Thao Nguyen Phan, whose recent video and visual works explore the agricultural, political, and social issues in rural Vietnam.

This publication documents a project inspired by Bradbury's Fahrenheit 451, in which performers memorize a book to form a collection of living books to be read in libraries by visitors. The publication brings together eighteen text contributions from artists and theoreticians, and a visual essay.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

A photographic archive of the transgender community in Bologna in the 1980s. With critical texts by scholars and queer theorists.

First monograph dedicated to the radical Swedish painter, draftsman, sculptor, and precursor of sound arts (audio CD included).

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.