This artist's book and first monograph gives an insight into Thomas Jeames's nomadic and diversified practice, influenced by the underground culture and DIY graphic design. Jeames' collages, drawings, trips, experiences, and videos reflect the burlesque poetry of this remarkable draughtsman and iconographer.
CvB Singles Uptown Remix presents a survey of work created since 2000—rags, mushrooms, a “soft” fence, an enormous octopus and other curious objects from Cosima's diverse oeuvre.
The work of Corinne Wasmuht calls into question painting's status in the digital age. Her panorama-like pictures depict futuristic science-fictional landscapes and structures the artist refers to as mirages. This catalogue features beautiful reproductions of Wasmuht's new and recent paintings, installation views and a conversation with Sabine Eckmann.
Chus Antón's first book guides us through the mythical locations of Los Angeles that inhabit our collective imagination: film and music video sets, recording studios, crime scenes… Including maps and texts by Cristian Rodríguez.
Halfway between the autobiography, the adventure story, the manifesto and the catalogue, this publication traces twenty-five years of travels, explorations, and encounters by artist-explorer Till Roeskens.
Performances of clarinet solo around the work of Roger Caillois & graphic scores (with Maurice Benhamou, Jean-Yves Bosseur, Michel Doneda, Jean-Luc Guionnet, Jonas Kocher, Ly Than Tien, Christian Rosset, and Matthieu Saladin).
In 2015, the web radio RadioDordogne offers five carte blanche to sound artists and composers. They each deliver a piece, born from what the territory evokes to them.
Published in homage to Pier Paolo Pasolini, this edition (conceived by Alfredo Jaar) features the poem imagined in 1954 by the Italian filmmaker while visiting the grave of Italian Marxist revolutionnary Antonio Gramsci. In this poem, Pasolini meditates on life in front of Gramsci's tomb, evoking themes such as politics, poetry, sexuality, and Italy.
Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.
Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.
Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.
The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.
This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.
Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.
Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.
At the same time an artist's book and a brief historical investigation, Thomas Huber's The Shop Sign reports the birth of a painting, relates the fate of another one, and questions the art market, the transit of works of art and the links between artists, dealers and collectors, all the while Huber plays with interpictoriality the way others would use intertextuality.
A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).
This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.
Interviews with Fabrice Hyber, Tadashi Kawamata, Anne & Patrick Poirier, Daniel Buren, Miguel Chevalier, Marie-Ange Guilleminot, Jean-Marc Chapoulie, Kimsooja, François Ede, Guy Lelong, Hans-Walter Müller and Francesco Careri.
Commissioned to photograph a contemporary art installation set in a London private house, Marie Angeletti immersed herself in the life of its inhabitants to better capture the complex network that unites the artworks and the collector. The art works of Isa Genzken, Christopher Wool, Franz West or Rosemarie Trockel are mixed with the house social realities and with the world that surrounds them. With her penetrating and witty gaze, Angeletti explores the circulation of art in our contemporary society while infusing it with her own private perspective.
A book about a fictional architecture office in a modernist social housing complex in Brussels, where real architects and locals worked together to make scale models: a reflection on scale models as spaces of negotiation, on maquettes as places where the desire of the architect is visible without the compromises of reality.
