various

A manifesto for the right of exile: the foreigner is the future of the citizen.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

19 poems and 23 chronicles of improvised music concerts (Albert Ayler, Sophie Agnel, Raymond Boni, Hélène Breschand, Steve Dalechinsky, Joëlle Léandre, Seijiro Murayama, Jean-François Pauvros, Barre Phillips, and many others).

An essay on the political dimension of Rimbaldian poetry.

New performative activities in the age of lockdown.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

The first book written by Pierre Escot at the beginning of the 1980s, never published before, intertwines several stories in poetic and narrative fragments.

A collection of narrative texts articulated around the narrowness of a Parisian dwelling and the daily life of its occupant.

Collection of poems influenced by experimental poetry (Tarkos, Pennequin, Quintane...).

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

A book about art, publishing and collaboration.

The ninth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne proposes to update the debate on the autonomy of architecture.

First monograph.

A publication project about listening and sound relations.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

A history of the concept of data.

The never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry, a stunning special tribute to Jacques Villeglé and his work, recorded in 2008 in studio Son/Ré.

A series of photographic performances by Fabienne Létang, confined to her studio, with texts by Liliane Giraudon, Amandine André and A.C. Hello.

From Pantin to Paris-North Station, via "somewhere in Latin America": an implosive writing for a mapping of violence. Both a poetic document and a choreographer's notebook.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by Liliane Giraudon (drawing on tracing paper).

The dimension of the transitory in the fields of architecture, urbanism and design, as a new horizon of thought and action concerning all aspects of urban life, in its economic and ecological complexity.

Special offer for the purchase of the 6 books / DVDs.

For his Spike edition, the artist Seth Price created an 8-track LP. The LP's back cover features a photo of the artist's last-minute Halloween costume from 2018, when he dressed as the Marciano Museum, his spooky masked persona foreshadowing the grisly detail that the museum would close, after laying off its entire staff for their attempt to unionise, almost exactly one year later.

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

Compositions and epistolary improvisations, in tribute to the writer François Augiéras.

Voce a vento (a vinyl LP + an artist's book) represents the result of a choral, visual and performative intervention realized by Claudia Losi in the Cilento countryside in Southern Italy in 2018.

A concise and poetic meditation on materiality and consciousness by Turkish artist and writer Deniz Gül.

A musical and poetic performance by the Italian artistic collective.

First monograph of the Beninese painter.

First encounter of two essential figures of the French underground and alternative music scene.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

Gilles Coudert's film, narrated by Charles Berling, stages a dialogue between contemporary creation and heritage on the occasion of Traversées, a cultural event organized in Poitiers, with Korean artist Kimsooja as guest of honor.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.