various

In I Swear I Saw This, Michael Taussig highlights the heuristic function of the sketches and drawings made by the ethnographer in his notebooks.

The artistic, social and political issues of manifestos.

A socio-political history of punk and post-punk covering four decades and three continents.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

The great tumult of space.

A transdisciplinary history of exhibitions.

Christine Wodrascka, pianist and improviser, and Jean-Yves Evrard, guitarist and improviser, produce one and the same complex sound material, a homogeneous and multiple sum, advocating a freedom nestled in the interstice of notes.

Joëlle Léandre (double bass, voice) and Alexandra Grimal (saxophones, voice) compose, improvise and underline the freedom of musical creation.

Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman's vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages.

Retrospective monograph.

Rio, Tokyo, Paris: Oscar Oiwa, Brazilian artist of Japanese origin, draws from these three Olympic cities to which he is personally bound, a matter to question the world of today, inviting us to dive into his half-realistic mid-fantasy universe, where sometimes point humor and nostalgia.

A total and exploded socio-politico-poetic inquiry into the poetic milieu, based on a textual-visual-sound device.

In 28 short poetic devices, the author marks a space of thought where the disenchanted memory strengthens the present word. Because “forgetfulness is also a violence”.

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

This publication reflects upon the exhibition of Stefan Brüggemann's nihilist statements read, sung, and screamed by Punk icon Iggy Pop, sculpting aurally the spaces of a seemingly empty gallery covered in densely painted black paneling paintings.

A experimental journey looking back over the work of interlocution between individuals based on artworks with a specific link to certain places.

New monograph (works from 2011 to 2019).

Sofiane Delière's first collection, composed of poems, texts and fragments from loose leaves and notebooks.

A collection of poetic texts that experiments different forms of contemporary poetry: sound poetry, lists, logorrhoea, glossolalia, ready-made, micro-narrations... Most of these texts have been read in public in the framework of literature festivals or performances.

A documentary fiction depicting the abstraction of tools and management and consulting.

A "lyrical drama about the woman who invented chicory stockings": the libretto of a troubadour operetta for narrators, children's choirs, accordion, dessert and Vosges spruce.

Celebrating the 90th anniversary of Luc Ferrari's birth, Photophonie, unpublished archives, spanning 1973-1992, is a revelatory collection of commercial, commission and secret music by the electroacoustic music pioneer.

Over the past decade, 21 poets have come to La Kunsthalle Mulhouse to immerse themselves in the art and spend time within the space composing original texts reflecting on their experiences and vision of the work surrounding them. These writings are now collected in this volume.

A disappointing trip to Manaus capital of the Amazon during the rainy season becomes the opportunity for Jean-François Bory to deploy a text in lush color of vegetal letters.

The testamentary work of Jacques Sivan: a graphic poem on the body and its reincarnation through the language.

The “Sounds Journals” by the composer and visual artist Louis Roquin, made during travels in Asia over twenty years (1998-2016), constitute a kaleidoscopic homage to writing, image, text and sound.

The “Sounds Journals” by the composer and visual artist Louis Roquin, made during travels in Asia over twenty years (1998-2016), constitute a kaleidoscopic homage to writing, image, text and sound. This limited edition, numbered from 1 to 20, contains an unique signed collage.

Taking Manoel de Oliveira's posthumous film A Visita ou Memórias e Confissões as a point of departure, this publication offers a broader questioning of the concept of the house in the filmmaker's oeuvre. Lavishly illustrated with archive material and images of his films, it includes several especially commissioned texts, together with an unpublished conversation between Oliveira and architect Álvaro Siza.

A sound and photographic project about the disappearance of the Aral Sea in Kazakhstan.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.

Interdisciplinary and cross-border collaboration between Belgian architect Inessa Hansch and German artist Susanne Kühn: a work that combines architecture and painting, around space and its representation, which questions the idea of the inside and the outside.

The story of fifty years of the international festival of photography.

An artist's book that reflects Sophie Jodoin's ongoing preoccupation with the interaction of language with images.

The singer Christophe puts to music Olivier Mosset's interviews.

An history of the artwork and the image first apprehended as an act and a process.