The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).
Over five hours of video and audio documenting the three-day Intermedia event organized by Fluxus artist Eric Andersen in 1996, involving parachute jumps, helicopters, mountain climbing, live sheep and over 100 singers walking on water.
A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.
The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.
A large book-object of scores by artist and composer Philip Corner, including a numbered art print and a supplemental audio download which features recordings of many scores from the book, played on a variety of instruments by 10 musicians (limited edition of 100 hand-numbered copies).
The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.
A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.
The first in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music.
Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.
Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.
Don Cherry's ecstatic world fusion masterpiece of the '70s, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations.
"Two Duos" is pressed from cellist Okkyung Lee's OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it's magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities.
Beautiful reissue of the 2000 album on FBWL, guitar ballads about Day, Evening, Night and Dawn, a major album in the discography of Loren Connors, which he considers his most personal record. Remastered in 2014 by Taylor Deupree at 12k.
A sound creation based on the texts and voice of Giampiero Cane performed by himself and manipulated by the composer Daniela Cattivelli, who electronically projected them into a chaotic flow.
The catalog of the international exhibition initiated at Les Abattoirs reveals a little-known story that was a milestone in 20th century psychiatry and its new links with art brut and modern art, taking as its starting point the career of the Catalan psychiatrist François Tosquelles (1912-1994).
The artist Denise Bertschi highlights the little-known Swiss presence between the two Koreas in the aftermath of the war in 1953, and questions the supposed neutrality of the country.
An album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2, bringing together five sound collages that deal with the consistency of material and its mutability.
Change Agents is the seventeenth print issue of PARIS LA magazine. The special 300-page edition features a portfolio of work by fifty contemporary artists whose practices reflect our current times as they move the culture forward. Plus: a collection of conversations, visual essays, and texts.
An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.
