ADERA, Mulhouse 01,
André Cadere & Éric Hattan,
Knud Viktor,
Jacques Villeglé,
Daniel Chust Peters,
Identity Lab, À l'infini, La lumière dans tous ses états, D'après nature, Images fabriquées / Photographie plasticienne...
An iconoclastic recipe book combining body and mind, savagery and eroticism, pleasure of the senses and black humor. With an afterword by Rudy Ricciotti.
bilingual edition (English / French), original version, English / French subtitles
A film about a series of interventions in public space by Betty Bui, Daniel Buren, Jace, Tadashi Kawamata and Louis Pavageau, accompanied by a booklet documenting a symposium about art in public space.
A sound and visual construction between two static shots on the axis of a street lined with bungalows: the crossroads of a busy street, with trucks and cars; the main street of an average city in North America, the immersion of the camera into the highway flows...
The camera explores a port area and progresses along the sand or gravel mounds, between two static shots on a double drawbridge downtown. A film about the juxtaposition, separation and collection of elements.
The camera follows the walls of a warehouse and pauses before each closed opening, producing a series of "paintings" that punctuate shots of the city, its organization and flow.
A sound, linguistic and visual composition unfolds from a meeting room located in the heights of a skyscraper at La Défense in Paris. A film about the inside/outside relationship, the built environment as the natural environment for men.
Three buildings beside water, a map of a North American city, the flow of a highway with distant hills in the background, a slow passage on a suspension bridge towards a business center: a film about the passage of time and displacement.
A few piano chords on warehouses shots where human presence is discreet. A film about economy, its organization and its laws, the prima of the structure on what animates it.
Publication bringing together a series of self-portraits inspired by the expressive vocabulary of the mask. The photographs showcase a multiplicity of feelings contradicted by paradoxical captions.
Alessandro de Francesco's poetic approach aims to redefine and surpass discursive obstacles born out of our cognition, our emotions, and the political and media systems.
This publication is part of a series of books in which writers are invited to create a narrative based on an artwork held at the Frac Aquitaine in France. For his fiction, Daniel Foucard has chosen two works, Claude Lévêque's Sans titre and Reena Spaulings's Untitled (Smal Flag 3).
This publication is part of a series of books in which writers are invited to create a narrative based on an artwork held at the Frac Aquitaine in France. This text by French playwright Noëlle Renaude relies on a series of works by Roman Opalka investigating the notion of temporality.
This publication is the result of a happening of sound poetry. It gathers the texts read during the lecture, as well as a recording made from the sound asperities of each of the reciters.
Jean Claude Rugirello,
Olivier Masmontel, Marguerite et le dragon, Déjà vu, Battement d'aile, Dessins : acte I, A II C MIEUX,
Philippe Poupet, La Relève !,
Christian Lapie, Céleste Boursier-Mougenot, Temps réels,
Anouck Durand-Gasselin,
L'école de Mallarmé –
Raoul Marek.
A sociological and musical study which shows how French female rapper Diam's contributed to introduce a series of social issues within the public debate.
A pornographic text in which the author gives a desperate speech to his beloved. A nerve-racking narrative in which Michel Surya pushes the limits of excess.
The first issue of the collective review edited by philosopher and playwright Alain Jugnon gathers contributions inspired by the works of Michel Surya, and of three of his main influences, Beckett, Kafka, and Pascal.
Collection gathering three long meditative prose poems, first published in 1972: a provocative masterpiece that helped establishing a new form in contemporary poetry.
A set of new embroideries with a selection of older works by German artist, gathered for a specific installation: a reflection on the living space and the architectural environment.
304 pages,
13 texts,
297 works (M. Fisher, I. Genzken, F. Pumhösl, V. Santoro, D. Coindet, K. Fritsch, P. Vadi, L. Montaron, S. Brüggemann, G. Leblon, H. Duprat, D. Blais...).
Halfway between a performative documentary and an artist narrative, this film documents a mysterious case which disturbed Paris art scene back in 1999.