various

Collection of texts (1968-1994) by French art critic Gilbert Lascault.

Second issue dedicated to the notion of risk in art, together with a booklet celebrating the 100th anniversary of Fountain, the iconic work by Duchamp. The magazine also features tributes to two recently deceased artists, Gusztav Metzger and Felipe Ehrenberg.

Anniversary dictionary of the The French National School for Decorative Arts, which brings together the students and teachers who contributed to the reputation of the school, from Rodin to Xavier Veilhan, Martial Raysse, Francis Picabia, Cieslewicz, and Matisse.

At the crossroads of theater, performance, and poetry, this collection of texts puts forward women's voice to express their power of resistance against their condition.

A collection of texts written between 1983 and 2016, enabling us to comprehend the singularity of Sivan's work. Prefaces in opening section offer insights into this unusual poetry, pointing the links between Sivan's poetic universe and those of Denis Roche, Raymond Roussel, Charles Olson, Maurice Roche, Marcel Duchamp…

Eric La Casa continues his series dedicated to Paris with the reedition of the classic AIR.ratio, a study of the sounds generated by ventilation systems in various Parisian buildings.

Panorama reveals one of the principal artist work techniques Francesc Abad applies when arranging images, voices and elements.

This issue explores the vast regions of lightness with an ensemble of textual and visual contributions by artists, historians, scientifics, and writers.

Conceived as a "bio-monograph", this catalogue offers a unique insight into the life and work of the French artist, sculptor and ceramist Valentine Schlegel (1925-2021). It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin (new expanded edition with English texts).

Never before released soundtrack of the film Rock directed by Michel Treguer, composed in 1982 by Bernard Parmegiani (remastered from the original master tapes, with exclusive liner notes).

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

This monograph documents over a decade of works and exhibitions, and offers an intimate portrait of an artist who put the language at the center of his visual practice.

Conceptual art in the United States (1965-1975): theoretical tools and European influence.

Photographic book celebrating the collaboration between the “UrbEx” photographer Francis Meslet and the “Mind Travels” Series—a series of albums dedicaded to ambient, neo-classical, and industrial music produced by French music label Ici, d'ailleurs. Meslet's photographs of abandoned places give a special echo to the musical approach of the series. The publication is sold with an audio compilation of selected musical pieces taken in the “Mind Travels” Series.

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

Catalogue presenting a series of watercolours in which artist Sophie von Hellermann re-interprets artworks by Alex Israel, Sergej Jensen, Karen Kilimnik, Sarah Lucas, Marisa Merz, Kelley Walker, etc., all from the Cranford Collection.

This artist's book questions the status of the image in the digital era through a reinterpretation of a classical subject in art history: flowers and the female figure. Images of flowers and women are associated with backgrounds of a city landscape, including photographs of the Capitol Records building in LA.

Double QR-Code LP (an empty sleeve with no discs), edition of 100 copies. The recording to listen online is a 5-hour composition for computer voice, first presented in Paris on March 25, 2000: a deepening of the idea of a dematerialized disc.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

A poetical and political questionnaire focusing on social exclusion and isolation issues in a French ghetto.

This catalogue combines a short story written by artist Alain Fleischer with an iconographic ensemble featuring a selection of his works. The publication also includes eighteen epistolary texts addressed by choreographer Daniel Dobbels to Alain Fleischer.

At an Uncertain Distance from the Ground by Jordi Mitjà is structured around a series of notes, sketches and photographs taken by the artist between 2010 and 2015.

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

Taking the form of light and acoustic installations, video projections, slide shows, publications and photographs, the work of Meris Angioletti questions the mechanisms of perception, memory and the psyche. This first monograph devoted to the Italian artist presents an overview of her practice from the past ten years.

A series of unpublished photographs by Brigitte Bauer: the German artist's images recall with distance and sensibility the uprooting and the transition to adulthood.

This leporello is the result of a collective photographic stream of consciousness based on a project lead by the Bureau d'investigation photographique: In random order, each member of the group opts for an image to which the following member answers by association and according to his own subjectivity.

Monograph documenting a project undertook by the Swiss artist from 2009 to 2016, in which she examines the practice and tools of a center for fundamental research in the field of cognitive neuroscience. With texts by Joerg Bader, Pascal Rousseau, and Anne Immelé.

Centro de Arte 2 de Mayo in Madrid invited Oriol Vilanova to intervene in the center's collection of graphic works. Developing its reflections on the modalities of exhibitions, Vilanova collected and exhibited empty window cases from Madrid's museums.

The catalogue of Claude Closky's exhibition of artists' books at CDLA, as part of the 40th anniversary of the Centre Pompidou. Kalavryta—the font used in the publication was created specially for the occasion by the French artist.

This LP gathers two sound works by Cologne-based radio producer, performer and composer of experimental music Peter Behrendsen. Nachtflug is a live-electronic piece based on the sounds of bats made audible, and Atem des Windes is a text-sound composition inspired by a Taoist text.

This recording is the sonic counterpart to Dutch artist Paul Panhuysen's last visual work Oog & Oor—a colorful design whose structure was built from sudoku puzzles. Panhuysen used the same principle to compose these sudoku-based pieces in collaboration with carillonneur Rosemarie Seuntiëns.

This LP pairs two organ-based works by German composer Ernstalbrecht Stiebler. More closely associated with his position as a radio editor and producer, Stiebler composes a reductionist music built on minimalist structures and repetitions, and influenced by Minimalism in visual art.

An insurrectional youth in quest for alternative words: a poetic and visual work by photographer Sadie von Paris and writer Véronique Bergen.

Taking the form of a choral novel, this publication gathers experimental narratives describing pedagogical experiments pursued by artists and curators.

This publication stems from The Devil's Peak (in beige), an installation created in the Californian desert of Amboy by Maxime Bondu and Bureau A (Leopold Banchini & Daniel Zamarbide). The project deals with how the absence of water conditions life in the desert.

The Liberated Page is an international union based in Geneva, Switzerland, which aims to support and promote the critical and intellectual dissemination of artists' books and independent editions across the world. A collective study gatheringthe thoughts of the union's actors on contemporary books and publishing (with Jungle Books, Footnotes, Edition Patrick Frey, Cadrat Éditions, Kodoji Press, edition fink, Nieves...).

This narrative intertwines text and image to reflect on the sinking of the Sewol ferry in April 2014 on the Korean peninsula. At the heart of this tragic story lies the controversial personality of Yoo Byung-eun, an evangelical pastor, guru, patron and photographer.

Publication dedicated to Noël Dolla's pictorial experiments in nature: this lesser-known side to the artist's work offers a unique insight today on the painter's research on the medium. The book features a chronological documentation exploring in detail these 13 “Spatial Restructurings”, along with texts by Fabrice Flahutez and Rachel Stella.

An account of a three-year research program focusing on working women's struggles in Britany: the publication provides an overview of the studies and artworks produced within the framework of the program, as well as extracts of lectures and a set of original archives.

For her show at Mamco, the French artist borrowed from the museum collections to reinterpret a series of artworks by Imi Knoebel, Steven Parrino, Frank Stella, John M. Armleder, Luciano Fabro, Robert Filliou, and Christian Robert-Tissot. Both a catalogue and an artist's book, this publication replays the exhibition much like a snapshot collection.

A collection of essays on art and literature—most of them unpublished in French—by the American poet, performance artist, and critic.

Fashion designer Rei Kawakubo's solo show at the Metropolitan Museum of Art; interview with William Pope.L on the occasion of his sound installation/performance at Documenta 14; Lindsay Lohan as a cultural phenomenon; interview with Pier Paolo Calzolari; the enigmatic art of Rodrigo Hernández; the choreography of Ligia Lewis; the filmmaking of Park Chan-kyong; exhibition reviews.

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Collective publication bringing together artists, designers, and specialists to reflect on digital creativity within the city. Extending the investigations from the 11th meeting of the UNESCO Creative Cities Network, it questions digital and data practices in urban territory.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.