Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

A re-appropriation of the comic books iconography.

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

The first full length survey of the work of Kendell Geers.

Reprint of Kusama's porno-artistic tabloid of 1969.

Foreword The Rodin Gallery has benn the site of an outstanding series of exhibitions featuring a wide spectrum of contemporary artists and including works such as The Gates of Hell and The Burghers of Calis by modern sculpture's seminal artist and master, Auguste Rodin. Thus it gives us great pleasure to develop for the first time a collaborative work with Le consortium, a leading contemporary art center in France on the occasion of the presentation of Wang Du's Disposable Reality. Wang Du, who was trained as sculptor in China within an academic tradition, works with images taken as readymade from newspapers, magazines and advertisements and transforms these two dimensional media images into three dimensional painted sculptural works with his own masterly skill. Through the information conveyed by articles on politics, economics, society, sports, leisure and fashion the artist expresses his feeling, often in a pointed, satirical manner, about the ordinary and our social reality. In this exhibition I believe there is special meaning in seeing the direct confrontation and dialogue between the works of Rodin, which deal with human emotions and those of Wang Du, which deal with contemporary issues in our daily life with sculptures as a common denominator. The vocabularies of contemporary art have expanded so much that somtimes we have a tendency to consider painting and sculpture to be outmoded media fot artistic expression. However, it is high time to demonstrate that it is not the medium which matters, but how it is used. Ra Hee Hong Lee Director, Samsung Museum of Modern Art

An anthology of Parreno's writings.

Reference monograph.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

From “polemical” texts to extensive theoretical essays, passing through Ed Ruscha, Bruce Nauman or John Baldessari, these writings have proved to be among the most challenging ones.

Richard Huelsenbeck's En avant dada is his first proclamation of Dada in Berlin.

A collection of Dan Graham's articles about rock and experimental music.

Exhibition catalogue.

Artist's writings.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

How to exhibit the architecture? Two Swiss architects answer this question (a conversation with Rémy Zaugg).

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

Artist's writings.

A study on Richter's work with illustrations.

Limited edition signed by Birgit Pelzer and Gerhard Richter.

A study of German Renaissance painters and the social movements of the time.

Drawings and photographs by the artist / text by Lydia Lunch (hand numbered limited edition).

Preliminary graphic designs for paintings.

A reflection on our present, through a series of portraits of contemporary artists.

Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

An essay on the birth of artistic manifestos in the 19th century, from Jacques Louis David to Gustave Courbet.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

A pioneering study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism"—the concept of a unity of matter and spirit—emerged and became increasingly popular among intellectuals, artists and scientists.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

A critical history of VideoArt Festival Locarno.