Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.

A history of avant-garde photography in Japan in the 1950s-70s.

The first French translation of Vivian Sobchack's work, Le corps du film – Une phénoménologie de l'expérience filmique offers a new perspective to the phenomenological tradition through an interrogation of our cinematographic experience and, more generally, of our relationship to screens.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

A critical history of VideoArt Festival Locarno.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

An essay on the birth of artistic manifestos in the 19th century, from Jacques Louis David to Gustave Courbet.

Writings, manuscripts, bibliography, index.

A collective reflection on the ability of objects and design to contribute to survival and protection against disasters, based on an examination of the phenomenon of “preppers”.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.