Contemporary art

Monograph / exhibition catalogue.

Drawings.

Original gelatin silver print (circa 1968) by Pierre Molinier, on sealed Kodak Kodura paper.

Reference monograph.

Catalogue of the double exhibition devoted to the Pattern & Decoration movement, with numerous previously unpublished archives.

First retrospective catalogue devoted to Dutch painter Peter Schuyff, a prominent member of the Neo-Geo movement, Has Been presents a selection of works produced between 1981 and 1991 in New York. The publication reveals the many paths taken by the artist and exposes the myriad forms which pictorial abstraction can take. Two critical essays, historical reviews, as well as a text written by Peter Schuyff in 1991, shed light on the artist's work of this period and on the complexity of its referential relationships.

For the past twenty years, Edith Dekyndt has been redefining the interdependence of the artwork and its exhibition context by relocating her work's experiments in a more extended spatiality and temporality—that of the world's ecosystem. This catalog offers a selective approach of her work on the occasion of a joint exhibition at Le Consortium and Wiels.

The public art program conceived in the context of the urban development project for the city of Poitiers in France, with commissioned works by Élisabeth Ballet, Pierre Joseph, Didier Marcel, Benoît-Marie Moriceau, and Christian Robert-Tissot.

New monograph.

First monograph.

Christopher Wool's stained glass windows for the Prieuré of La Charité sur Loire, France.

Catalogue / artist's book.

An artist's book / catalogue that, rather than focusing on the famous images made by Juergen Teller for fashion and luxury industries, aims to underline the particular aesthetic dimension of his photographic work in general.

Reference monograph (available in English edition).

Richly documented, this first monograph published in Europe gathers Larry Bell's archives, alongside with new commissioned essays by the artist, Marie de Brugerolle, Annette Leddy and John C. Welchman.

Richly documented, this first monograph published in Europe gathers Larry Bell's archives, alongside with new commissioned essays by the artist, Marie de Brugerolle, Annette Leddy and John C. Welchman.

First monograph: Charline von Heyl's paintings chronologically presented, each vis-à-vis a detail view manipulated by the artist, with four texts that shed light on the evolution of her work and contextualize her practice regarding the question of the renewal of contemporary painting.

First monograph devoted to the visual work of the New York alternative art scene mythical figure, a pioneer of minimalist electronic rock as the co-founder of the cult band Suicide.

First monograph devoted to the visual work of the New York alternative art scene mythical figure.

Reference retrospective monograph (available in English edition).

Reference retrospective monograph: a complete overview of Lynda Benglis' work and life from the late 1960s to the present day, with more than 350 illustrations, about 20 historical or commissioned essays, an interview, famous and unseen archival material, and a complete chronology.

The method and genesis of Pierre Molinier's oeuvre (available in English edition).

Shadows of witches, bats and black cats for a street public lighting commissioned work.

A set of anonymous texts and bikers images collected by Olivier Mosset.

A "picture biography".

The first book bringing together Mike Kelley's autobiographic works since 1995, and offering an overview of the development of Kelley's practice.

Reference monograph on the French artist (available in English edition).

Luxurious retrospective monograph, conceived in close collaboration with the artist, with three essays, an illustrated and commented chronology, major works since the beginning of the 80s, as well as many documents and exhibition views.

Documenting works by artists dealing with performative issues between the 1960s and today (from Paul McCarthy to Jessica Warboys, Spartacus Chetwynd or John Bock), this catalogue, gathering numerous essays, questions the nature and the relevance of “performative” objects in contemporary practices.

New works by French neo-pointillist artist.

One drawing by Mrzyk & Moriceau a day (2009 calendar).

Exhibition catalogue around art and low resolution in new technologies.

Monograph dedicated to one of the most daring sculptors of his generation, whose work generates a sense of mutability, instability and visual tension, derived from a mixed bag of references embracing Pop art, Minimalism, New Generation sculpture, Kinetic art and the Tropicalia movement.

Monograph / catalogue documenting recent, actual and future exhibitions dedicated to Mosset's latest works or to a whole radical and minimalist œuvre.

Monograph / artist's book: reproduction on glossy paper of 3 printer drawings series realised from art books' pages, with a text by Vincent Pécoil.

Catalogue published, as a second volume, after the world tour of an exhibition by On Kawara Consciousness. Meditation. Watcher on the Hills, gathering the complete documentation produced for the exhibitions and presenting the installations views.

The film of the exhibition at the 49th Venizia Biennal.

Numbered edition of a photography and a poster (Jean-Marc Bustamante fecit), which are added to the special box set by M/M (Paris) containing the last three catalogues of the Printemps de septembre festival.

Comprising sixteen cardboard pages, this artist's book explores two exhibitions that were literal complements of each other.

First monograph.

First monograph.

The sole monograph available on the most internationally known French artist (English edition).

Available in English edition.

Paintings and photographies.

The 7th Lyon Contemporary Art Biennal catalogue.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

A re-appropriation of the comic books iconography.

The first full length survey of the work of Kendell Geers.

Foreword The Rodin Gallery has benn the site of an outstanding series of exhibitions featuring a wide spectrum of contemporary artists and including works such as The Gates of Hell and The Burghers of Calis by modern sculpture's seminal artist and master, Auguste Rodin. Thus it gives us great pleasure to develop for the first time a collaborative work with Le consortium, a leading contemporary art center in France on the occasion of the presentation of Wang Du's Disposable Reality. Wang Du, who was trained as sculptor in China within an academic tradition, works with images taken as readymade from newspapers, magazines and advertisements and transforms these two dimensional media images into three dimensional painted sculptural works with his own masterly skill. Through the information conveyed by articles on politics, economics, society, sports, leisure and fashion the artist expresses his feeling, often in a pointed, satirical manner, about the ordinary and our social reality. In this exhibition I believe there is special meaning in seeing the direct confrontation and dialogue between the works of Rodin, which deal with human emotions and those of Wang Du, which deal with contemporary issues in our daily life with sculptures as a common denominator. The vocabularies of contemporary art have expanded so much that somtimes we have a tendency to consider painting and sculpture to be outmoded media fot artistic expression. However, it is high time to demonstrate that it is not the medium which matters, but how it is used. Ra Hee Hong Lee Director, Samsung Museum of Modern Art