Sandra Moussempès

An exploration of the voice as both a sonic and romantic device, questioning the future of recordings: a poetic narrative at the intersection of sound, cinema, and spiritualism, tinged with both humor and a unsettling strangeness.

A poetic work of autofiction that shifts between eras, from the gothic atmosphere of the Victorian era to the equally strange atmosphere of Hollywood in 1969–71. It comes with a CD album that serves as its soundtrack.

A text that blends poetry, prose, fiction, and investigative writing, accompanied by a CD of audio poems.