16 international sound artists and musicians explore the materiality, spatiality, technicality and diverse cultural, social and political forms of sound, questionning the relationship between improvisation and composition, between performance and installation, etc.

The Malakow Tower of Zeche Hannover becomes a space-consuming sound installation that transforms voices from different communities in Bochum into a physically palpable listening experience.

A collective improvisation as part of a creative research academy focusing on listening as a philosophical, artistic, social and somatic issue.

Listening as the basis for social, bodily and passionate movement and transformation.

A radio creation around the materiality of sound and air.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

A sound composition based on a workshop focusing on questions of sound, listening, collaboration, and community.

Dialect melodies are passed along since time immemorial and yet are only spontaneously available in the moment. Before caught and preserved they have to be released. Antje Vowinckel reflects upon this paradox through a collection of dialect recordings which are then imitated by humming musicians who try to catch the correct melodic lines.

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.

This recording is the outcome of two sound projects—a performance and an installation—started in 2010 and 2012. Using a recording device as a sound producing source, the Slovene artist investigates the spatiality of sonic manifestation.

An acoustic-phonetic approach of book's corporeality in 38 tracks.

Alexandre St-Onge pragmatically captures the ungraspable and hermetic sounds that emerge through the creative process.

An initiatory sound journey in the urban jungle of Rio de Janeiro.

A recording of John Cage's original text as read by a deaf individual (audio CD with booklet).

A collection of the audible traces of dancing bodies (audio CD with booklet).

A collection of works from 1999 to the present, delivering an important overview of the artist/musician's pursuit of the uncanny within the everyday.

Dirty field recordings, found sounds, sound effects, archives, and sonorous dramas, composed as a series of micro-narratives each designed to intervene onto imagined settings or spatial locations, as a counter-sonorities.

Two films straddling the line between documentary and audio-visual meditations on landscape.

Live audio “micro-improvisations” combined with live video manipulations.