The visual score of
L'Étonnement sonore by
Carole Rieussec, Johann Maheut, and Guillaume Robert;
Faire un bruit qui me ressemble,
Vomir and Francisco Meirino, by
Kasper T. Toeplitz;
John Cage's
Williams Mix reinterpretated by
Valerio Tricoli and
Werner Dafeldecker; Anna Halprin and Morton Subotnick's
Parades and Changes;
Quelques compositeurs du Royaume-Uni by Tim Parkinson;
Ring Modulation 3, la pensée électronique by KTT...
A “writing surface for experimental sound practices” founded in 1989,
Revue & Corrigée is a quarterly magazine on experimental movements in
contemporary music,
performance,
cinema,
dance,
sound installation, and
sound poetry: regular columns, reflections, artist interviews, discographic and editorial news, contributions from various contributors (
Jérôme Noetinger, Grégoire Bressac, Jean-Kristoff Camps,
Michel Chion, Jacques Debout, Pierre Durr,
Michel Henritzi, Henri Jules Julien, Alexandrine Kirmser, Cyrille Lanoë, Laurent Ligavant,
Lê Quan Ninh, Joël Pagier,
Carole Rieussec,
Philippe Robert, Gérard Rouy,
Matthieu Saladin,
Kasper T. Toeplitz, Deborah Walker…).