A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.
Noted composer and mathematician Spencer Gerhardt presents
Ticking Stripe, a groundbreaking collection of essays linking notions of continuity and construction across the boundaries of math, art, music and philosophy. Gerhardt offers new, and deeply informed interpretations of the 1960s New York avant-garde, viewed through the lens of trailblazing artists such as
La Monte Young,
Marian Zazeela,
Catherine Christer Hennix, Henry Flynt and
Tony Conrad.
Ticking Stripe pairs the spirit of L. E. J. Brouwer—a mathematician who brilliantly, and controversially, sought to reconstruct the continuum in his own philosophical terms called intuitionism—with the ambitions of pioneering minimalists who combined continued constructions, idealized processes of introspection, and conceptual world-building with a host of philosophical, scientific, and spiritual concerns. Informed by his own work as a professional mathematician and composer, Gerhardt explores the depths of these disparate traditions, finding unlikely areas of commonality. Spanning over two decades, these essays feature rich historical explorations of minimalist music, writing on contemporary art, and work in logic and algebraic groups, all approached with rare clarity and technical aplomb.
Spencer Gerhardt is a composer and mathematician. His music engages constructive, introspective and romantic traditions. Gerhardt has written solo piano music, piano based songs, and works of minimalism. He studied raga with
La Monte Young and
Marian Zazeela, piano performance with Sung-Hwa Park, and has collaborated with artists such as
Thomas Ankersmit and
Charles Curtis.
Spencer Gerhardt is also an Assistant Teaching Professor of Mathematics at University of Southern California. His research focuses on algebraic groups, often viewed in connection with problems in finite group theory and representation theory. Prior to his work in algebra, he studied logic and philosophy in the Brouwerian tradition at the University of Amsterdam, where he received a Master of Science. Gerhardt has written about art and music in this context, in particular the philosophical underpinnings of minimalism.
