les presses du réel

Diabolus in Musica53 fragments for Bayle in 151 examples

Jean-Christophe Thomas, François Bayle - Diabolus in Musica
Jean-Christophe Thomas analyzes François Bayle's complete work in 52 recurring features.
One of the major contributors to acousmatic music, François Bayle (born 1932 in Tamatave, Madagascar) strives to promote the GRM and its values, as well as pursuing the development of the acousmonium, a multi-speaker apparatus designed for the performative projection of sounds. As far as his music is concerned, he is known for his vast compositional cycles whose style unites articulation and fluidity, color, and energetic creation.
François Bayle studied with Stockhausen and Messiaen. He joined the ORTF Groupe de Musique Concrète in 1960. He later led the group when it became the Groupe de Recherches Musicales in 1966. Most of his compositions are electronic, and his first important work, "Espaces inhabitables" (1967) is suggestive of an imaginary world in which nature is distorted in a dream-like fashion. He later utilized natural and synthetic sounds in his compositions, such as the recorded sounds made in a Lebanese cave. He has stated that his purpose as a composer is to enable the listener to feel the motion and vibration of energy in the universe.
Texts by Jean-Christophe Thomas.
Foreword by François Bayle.
 
2024 (publication expected by 3rd quarter)
bilingual edition (English / French)
23,5 x 16 cm (softcover)
120 pages
 
19.00
 
ISBN : 978-2-37166-185-1
EAN : 9782371661851
 
forthcoming
topicsJean-Christophe Thomas, François Bayle: other titles





François Bayle: also present in














 top of page