Women (female artists)

Exploring the infra-spaces between images, sound, and voice in the work of artist Marcelline Delbecq, in conversation with art historian Pascale Cassagnau (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).

A philosophical and artistic questioning on the singularity of the notion of time in contemporary dance.

During a residency at Les Laboratoires, in the Parisian suburb of Aubervilliers, choreographer Lenio Kaklea collected information from nearly 300 residents about their habits, rituals, and professions. This publication gathers these accounts in the form of written portraits.

This catalogue / artist's book extends a three-chapter exhibition reflecting on the concept of Home. The publication includes reproductions, exhibition views, a text by Marie-Gabrielle Duc, and an interview with the artist by Emmanuele Quinz.

This catalogue presents an unpublished series of work by Tomoko Yoneda: the Japanese photographer has followed in the footsteps of Albert Camus, through Algeria and France, carrying on her reflection on the memory of places by way of her sensitive and poetic photographs. It is a subtle evocation of the youth of the author of “The Stranger.”

The life and work of Winnaretta Singer, Princesse de Polignac, who used her fortune to support the arts, sciences and literature, and whose influence on the musical and literary worlds of the twentieth century is immeasurable.

Matrangra's inaugural publication presents her celebrated series Toilet Paintings.

Conversations is a monographic collection of interviews focusing on an artist's drawing practice. For this first book, Sharka Hyland answers the questions of Marcelline Delbecq, two artists whose practices converge in their interest in writing, reading, images, and language. A discussion that fosters a unique look at Sharka Hyland's work.

During his exhibition at Westfälischer Kunstverein in Münster, artist Zin Taylor invited musicians Christina Vantzou and John Also Bennett to interpret a 90-meter panoramic wall drawing as a musical graphic score. This vinyl edition gathers the recording of this minimal music performance, along with a 180 cm leporello reproduction of the wall drawing.

Known for his extravagant neo-surrealist paintings, the Dutchman emigrated to New York Peter Schuyff is also a guitarist and singer. Illustrated with drawings by Eliane Gerrits, this book brings together the lyrics of the folk and psychedelic songs of the band The Woodwards, which he forms with the English singer Stevie Guy.

Artist Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho.

In a junction of artist's book, illustrated sci-fi story, and a glossary of sculptural objects Ludovica Carbotta explores the concept of “fictional site-specificity” through different media, authorships, and descriptive strategies: a site-oriented practice that considers imaginary places, or real places within fictional contexts, to recover the role of imagination in the process of constructing knowledge.

An intimate diary in the shape of an apparently cold, monochromatic book, Negative Book collects a series of eighty-four black-and-white photographs taken by Grzeszykowska following a very particular procedure, which is both visual and performative.

This catalogue / artist's book inaugurates a new series dedicated to the site-specific installations exhibited in the nave of the CAPC. The eponymous project by artist Leonor Antunes is a sculptural ensemble influenced by textile and architectural works, thus recalling the commercial past of the nave as well as the cultural legacy of modernism. The publication features an interview with the artist and a text by textile artist Anni Albers.

The second book in a series dedicated to the installations exhibited in the nave of the CAPC, De la source au poème documents artist Rosa Barba's eponymous video installation: an investigation on cultural legacy and spaces of memory. Designed as an artist's book, the publication offers a rich and poetic journey to the heart of the exhibition, and features an interview with Barba.

The first publication dedicated to the work of fashion illustrator and artist Kelly Beeman. Drawing her inspiration from lookbooks and catwalk shots, Kelly Beeman creates paintings that plunges the viewer into a fantasy world of rare delicacy, tinted with subtle references to interior design, architecture, music and literature.

Composer/organist/musicologist Eva-Maria Houben's most compelling piece to date.

As a child in the 70's Daniela Comani travelled with her parents in their car where they used to past time jotting down the cars that drove by. 40 years later she found one of these old notebooks and researched photographs of the cars. The project now takes the form of this artist's book, which can be seen as an interesting social and historical study on style in the pre-globalized world and, above all, a kind of self-portrait.

New technologies today make it possible to translate raw data into graphic representations. This action of translation has become essential in the era of big data. It forms the core of this publication, which presents the outcomes of an experiment conducted by conceptual artist Tyyne Claudia Pollmann at the Charite CrossOver Institute Berlin Mitte since 2013.

This publication presents the outcomes of Romana Schmalisch's long-term project, the Mobile Cinema, an itinerant apparatus somewhere between urban model, cinema, and plate camera. The artist constructed the Mobile Cinema and used it to present films created during her travels, mobilizing film extracts and archive material.

Publication gathering 49 posters representing photographs and film stills by the Danish artist. It also includes a booklet with comments by Villesen, and an essay by Joerg Franzbecker.

The third issue of the erotic journal Féros, featuring Phoebe Clarke, Claire Dantzer, Victor Man, Anthony Pearson, Benoit Platéus, Georges Tony Stoll, Matthew Stone, Phillip Zach...).

In 1918, art historian and cultural theorist Aby Warburg emerged from a severe episode of psychosis. At about the same time he gave a conference on the Hopi nation's ritualistic snake dance. Focusing on his bout with mental illness, the film melds the aftermath of the Great War with his hopes for eventually recovering.

Grande poussière is the product of a collaborative poetic writing process carried out over the course of several years. Forms, approaches and sensibilities come face to face, an uneasy meeting of words and matter.

This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell blocks at Eidsberg and Ullersmo Prisons.

This publication documents a research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic. It features a selection of Masotta's writings as well as contextual essays on his work.

Artist's book exploring the notion of rigor in experimentation through the constraints of the grid and structure.

Recorded in March 2016, “Actions Soniques” is a meeting of free rock with free impro into an electroacoustic environment with a clear and powerfull voice. This is the last CD from Dominique Répécaud (1955-2016).

This book is a reinterpretation of the classic children's picture book by English Author and Illustrator John Burningham from 1979, illustrating the preference game “Would you rather”… With enchanting drawings made out of sand by Carolina Cerbaro.

Since 1953, the Kulturkreis der deutschen Wirtschaft has awarded the Ars viva Prize to young artists living in Germany. The 2018 edition goes to Anna-Sophie Berger, Oscar Enberg, and Zac Langdon-Pole.

This artist's book presents a set of photographs made by Belgian artist Sophie Nys during her stay in Zurich. It features each of the modernist fountains produced by designer Alfred Aebersold in the 1970s and scattered throughout the Swiss city. The images are associated with amusing and clever captions written by Leila Peacock, a Scottish artist living in Zurich.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

This publication documents a previously unreleased video project by Canarezza & Coro inspired by poet Eugenio Montale's unusual walk across the Italy-San Marino border to receive a Literature Prize in a context of tensions between the two States. The volume also includes fragments of forty-seven poems by Eugenio Montale, modified by the two artists.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

Vitesse Photon Target is a long-running poem combining typographic and syntactic experiments with the theme of space research.

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

Shot in South Africa in 1992, Moyra Davey's Gold Dumps and Ant Hills is a series of black-and-white photographs of mounds left behind by two types of excavation—one human and one animal. For Davey, the pairings of gold dumps and ant hills “invite not only our imagined associations but, as South African landscapes, our received, politically charged associations as well.” The photographs are presented here in book form for the first time.

A photographic account of the career of Françoise & Dominique Dupuy, French dancers and choreographers, pioneers of modern dance in France.

A timeless photographic ballad, through a few shots taken in the archeology museum in Athens.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

Ymane Fakhir's project “The Lion's Share” combines sculptures, video, photography, and text, to narrates the story of a bereaved Muslim family and their share of the inheritance. An algebra lesson in which the Moroccan artist examines the place of women in the Muslim family—and beyond.

Music score for four toy pianos, revolving around four notes—A, B, C, and E. Inscribed in the minimalist aesthetic of contemporary music, the piece was inspired by the rhythm of traditional Moroccan ceremonial music. With an essay by video artist and writer Laëtitia Laguzet.

Bächli & Hattan's publication features the 1:1-scale reproduction of certain pieces exhibited during a joint show at Centre Culturel Suisse in Paris. The reproductions take the form of printed sheets that have been folded and inserted in a plastic sleeve. It comes with a booklet featuring an interview of the two artists by Jean-Paul Felley and Olivier Kaeser, along with a text by Patrick Javault.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

Anthology of selected commercial ads published within the US Playboy from 1960 to 2003, Boy constitutes a visual commentary on the normative representations of desire and on the masculine consumer's ideal of life at the end of the 20th century.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This inaugural issue is dedicated to filmmakers couple Alain Della Negra & Kaori Kinoshita.

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, French artist Camille Henrot is the guest editor-in-chief of this issue 26 of the magazine Palais, devoted entirely to the exhibition “Days are Dogs.”

Artist's book based on Schultz eponymous work, a video project based on the German artist's sculptural installation at the Kunstverein Braunschweig, and filmed by a flying robot camera.

Conversation on artist Éléonore Pano-Zavaroni and art historian Stéphane Sauzedde given by Martial Déflacieux (Artistes en résidence, Clermont-Ferrand) and Virginie Bobin (Villa Vassilieff, Paris).