Women (female artists)

The female nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

The male nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

This edition, printed in serigraphy, delivers the reworked transcription of a recorded interview between musicians Jacques Demierre and Louis Schild, in which the notion of surveying and measurement is examined, among other things and in a conversational manner (with a musical transcription and a contribution from the playwright Michèle Pralong).

Changes in Direction – A Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

A short essay on the concepts of "latent images" and "latency" based on the philosophy and history of the work of French artist Aurélie Pétrel.

An anthology.

Second issue of the critical journal Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

A heterophonic musical piece for performative concert, composed by the choreographer Lotus Eddé Khouri.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

Marie Bauthias' poetic collages.

Art & microbiology: an essay on the critical, ethical and historical dimensions that result from the entry of microorganisms into the creative process, between art and science.

Artist's book / monograph.

Monograph based on the research of the London-Lisbon based audiovisual artist around the use of ergot in female history.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

First retrospective monograph: an essential resource for any in-depth critical study of Chiara Fumai's work and thought, including a first systematic analysis of her oeuvre.

First monograph.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (new softcover edition).

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

With the vinyl recording of a musical, the artist proposes a new chapter in her project on fermentation as a living, palpable theory that blends body, feminism, and community.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

Three three pinhole photographic series by the Venetian artist who explores the possible interactions between artistic and scientific languages.

First publication of the essay of the Spanish architect Elisa Valero Ramos.

A fascinating journey into the experimental filmmaker's universe.

A split LP from two leading voices in electroacoustic music.

The catalogue of the Belgian-American artist's architectural and video installation, at the crossroads of different disciplines, conceived by Cécile B. Evans herself.

This book takes as its starting point artist Ilona Németh's extensive research into the history of sugar production in Central Europe, from its beginnings in the early nineteenth century.

Artist and writer Jenny Odell speaks about the role of design and observation in a fully virtual commencement ceremony for Harvard University Graduate School of Design.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

New monograph.

Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Monographic catalogue based on the project specifically created by Stéphanie Brossard for her native island of La Réunion: a deconstruction of common narratives and a creolisation of forms and thoughts, in a poetic gesture made up of skilful appropriations and wild reimaginings.

By means of photographs, videos, installations and sound pieces, Esther Hoareau depicts phantasmagorical landscapes which nevertheless share certain appearances and appeal to a truly collective imagination (monograph).

Snapshots of a photographer's inner life.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author (drawing on paper).

A complete study of Sylvie Fleury's installation, a tribute to Claes Oldenburg.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

Four artist's posters.

The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings.