Switzerland

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

A staircase drips, not with water but with sound: book / CD dedicated to Fritz Hauser's impressive "sound drawing" for the Vincent van Gogh Foundation in Arles.

French edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references: a must-read for anyone interested in architecture today.

New monograph.

Yves Scherer's Tatami mats series.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

An overview of the wide-ranging oeuvre of paintings and sculptures by the Chilean-born Swiss-based artist.

The first installment of FUTURE, an ongoing series of publications by Taiyo Onorato & Nico Krebs, explores how our conceptions of the future have changed over the past few decades, how that affects our take on the present and our reactions to changes that lie ahead.

15 years of conversations between Caribbean philosopher Édouard Glissant and his friend Hans Ulrich Obrist.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema. The book is accompanied by Emmanuelle Antille's film A Bright Light – Karen and the Process on DVD (special offer).

The meeting between the artist and the philosopher, working together to create a common space.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

Artist's book.

An ongoing series of figurative oil-on-canvas paintings by Swiss-born London-based artist Mathis Gasser, decontextualizing in the same gesture characters of the popular culture and figures of the history of the art.

First monograph of the French-Swiss artist Delphine Renault, presented by a critical essay by Karine Tissot.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

A series of over 1200 close-ups of advertising posters in Zürich photographed by Anna Stüdeli.

Bastien Aubry's sculptures.

This edition, printed in serigraphy, delivers the reworked transcription of a recorded interview between musicians Jacques Demierre and Louis Schild, in which the notion of surveying and measurement is examined, among other things and in a conversational manner (with a musical transcription and a contribution from the playwright Michèle Pralong).

Swiss photographer Christian Lutz documents right-wing populist people, movements and hot spots all over Europe.

Second issue of the critical journal Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

A documentation of new values and new worlds and a guide to them.

Nine interviews with the artists exhibited in the Geneva art space Forde between 2018 and 2020.

First comprehensive monograph on Swiss artist Raphael Hefti (book printed by the artist himself with a specific technique making each copy a unique object).

An anthology.

New monograph.

A complete study of Sylvie Fleury's installation, a tribute to Claes Oldenburg.

An extensive overview of Olivier Mosset's six-decade painting practice.

Four artist's posters.

Feathers presents a collection of notes written by the Swiss artist during the conception of an aborted documentary in 2005. Taking the shape of a diary, it offers a unique gateway into Manon's daily life, interweaving memories and reflections on her artistic practice.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

Artists' book.

This book is a moving tribute to Jörg Binz's work, a selection from a great many paintings, especially portraits, and from his secret sketchbooks. It contains startling, bizarre, sublime works interspersed with literary and biographical texts that engage in an ongoing conversation with the paintings.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

An extensive overview of Olivier Mosset's six-decade painting practice.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

This publication tells of the journey of a photographic research of the origins of cumbia music along the lower Magdalena river in Colombia.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A publication project about listening and sound relations.

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

The catalogue / temporal synthesis of the evolutionary and challenging exhibition at CAN, Neuchâtel.