This book was published in conjunction with the exhibition Kaspar Müller, Allegiance & Oblivion at Vleeshal in 2019. It provides a profound insight into Kaspar Müller's multi-layered art practice of the last ten years, which oscillates between sculpture, installation, video, photography, painting, and drawing. Much of the conceptually driven work of Müller is enveloped in irony and black humor, often conceived to comment on the creative process itself and on the influence of capitalist economy on life and society. Müller's work is usually presented as an accumulation of objects and images beyond any cataloging or order but only and joyfully in their variety and heterogeneity. Corresponding with this way of working, the selection of images in the book is arranged in loose and playful associations, without fixed categories or set chronology. Exhibition views are combined with photographs, video stills, and images of works. The design of the book encourages you to browse through its image section in different ways. Besides the usual movement from cover to cover, contributions by Arthur Fink, Fabrice Stroun, and Audrey Cottin provide other options to navigate through the book, as each essay or interview mentions its own selection of works in a different order.