Art & war / violence

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

Artist's book.

This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

Monographic study dedicated to director, video artist and photographer Clarisse Hahn. Edited by Nicole Brenez, the publication gathers writings encompassing the variety of her work, from contemporary art to cinema, guerilla groups, and eroticism; conversations with Clarisse Hahn, artists, and art historians; and a series of reproductions of her artworks, photographs, photograms, and videograms.

Exhibition catalogue documenting the eponymous sculptural project showcasing silicone impressions of Berlin's bullet-ridden facades from the Second World War. These architectural traces embody trauma and time, from the war to nowadays. The publication catalogues these facades and focuses on the making of the project. It features a text by writer Deborah Levy.

Catalogue celebrating the first European retrospective of the artist and pedagogue Beatriz González: the publication explores 50 years of plural and polymorphic work, inspired by the historical and cultural realities of Colombia. It features a rich selection of images and a critical apparatus which explores the artist's career while revealing the contemporaneity of her work.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

This artist's book compiles true propaganda photographs of the Third Reich with stills from actors playing Nazis in Hollywood movies: a radical commentary on our alarming present condition, in which the lines between populist and fascistic politics are increasingly blurring.

Exhibition Guide from the Triennal 50JPG 2016 – 50 Days for Photography in Geneva, accompanied by the two artist's books published on the occasion of the exhibitions, Giacomo Bianchetti – Bilderberg 2015 et Sébastien Reuzé – Indian Springs (bundle).

The catalogue of Metzger's first extensive overview: divided into sections—each of which is accompanied by a critical text—corresponding to those presented in the exhibition, the publication provides systematic insight into an artistic oeuvre considered as one of the most important in the 20th century (with texts by Mathieu Copeland, Hans Ulrich Obrist, Yoko Ono, Hermann Nitsch…).

Over 300 watercolors inspired by the film Rambo II (artist's book).

Taken at the height of the Assad days, the images of the photographer Giovanna Silva overlap in this publication with Syrian tourist guides' images and texts, creating a net of intended and unintended relationships and time interconnections.

Recording of Hermann Nitsch's mighty pipe organ concert in Berlin, January 22, 2016.

An anthology surveying the relationship between artistic practices and documents.

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

Facsimile of a book of drawings made between 1979 and 2010.

A mapping of ephemeral architecture built during the siege of the Maiden Place in Kiev: a project by Bureau A, Leopold Banchini & Daniel Zamarbide (CH) with Burø, Sergey Ferley (UA), bewteen architecture, design, graphic design and political pamphlet.

A series of speechless strips made in Indian ink describing absurd warfare conflicts set in bucolic landscapes.

A new reading of the work of a major American and international artist, well known for her depictions of the female body, of society's attitude to women and particularly for her pioneering work as a performance and video artist in the cause of feminism, in the context of artists' reactions to major world issues and a return of the historical genre in art today, underlining her unflagging commitment to the recording of history as it happens.

Following the social unrest and immolation acts in Southern Algeria in 2011, writer and journalist Mustapha Benfodil wrote this fictional monologue of a village's mortuary employee to reflect on the wounds of the Algerian society.

A study in which Thomas Keenan and Eyal Weizman discusses the way that forensic investigation and identification of Joseph Mengele's remains marks a transition, giving way to an "era of forensics", in which things—such as bones—act as the witnesses of past events.

An imaginary conversation between two filmmakers that evokes memories from the conflicts between Israel and Lebanon, and the way the memory and the testimony inevitably mix fiction and documentary.

Artist's book (a detailed and distanced description by Peter Wächtler of his experience as an extra on Bryan Singer's film "Valkyrie").

A performance piece about weakness and public embarrassment (edition of 30 numbered copies).

A performance piece about the Abu Ghraib tortures (edition of 30 numbered copies).

A set of 83 previously unpublished historical works from the 60's (artist's books with collages, drawings, watercolors and paintings), with an essay by Pierre Péju: early works that, under a minimalist and fragile appearance, announce most of the major themes developed in Kiefer's later grandiose oeuvre.

Remastered recordings of the first performance of Nitsch's 8th Symphony (for Choir, Orchestra, and Noise Orchestra).

Criminal news item as current version of the ready-made: relations between the history of avant-gardes and the aesthetics of murder.

An artist's project, this publication gathers together drawings by Fabrice Gygi, bringing together the sketches, technical drawings, and 3D renderings of the artist's production.

Artist's book (limited edition).

Luxurious retrospective monograph, conceived in close collaboration with the artist, with three essays, an illustrated and commented chronology, major works since the beginning of the 80s, as well as many documents and exhibition views.

First monograph.

A collection of photographs found on eBay using the search terms Deko + Munition (ammunition + decor).

A poem on war and the oppression of the modern body.

Comprehensive monograph following the development of Alfredo Jaar's work, with texts by Georges Didi-Huberman, Jacques Rancière...

This publication documents new works by artists such as Olafur Eliasson, Isa Genzken, Sarah Lucas, Aleksandra Mir, Mathilde Rosier, Eva Rothschild or Gary Webb, invited to develop projects on the theme of nuclear war.

A series of wedding dresses sculptures: the ghosts of historic and mythological women of the Antiquity.

Published for the 1996 exhibition at Yvon Lambert Gallery, Paris, this publication presents Kiefer's works, with a reflection by Daniel Arasse.

Works on b/w photographs taken in Sarajevo.

Anselm Kiefer's universe revisited by the philosopher Jean-Noël Vuarnet.

Artist's book: a series of patterns drawn from the library of a vectorial drawing software, homothetically reduced to the dimensions of the book to rectangles of different sizes, laid out over the pages as in an urban map.

Artist's book: portrait of a young soldier reproduced exactly on each page of the book.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.