Art & war / violence

First performance of the original 60-minute composition for string quartet in 4 parts, recorded at the Nitsch Foundation in Vienna in 2016. With Anne Harvey-Nagl and Diane Pascal on violins, Marta Potulska on viola, and Mara Achleitner on cello.

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

In Diary of a Leap Year, Lebanese artist produces 366 daily collages from political newspapers in Lebanon and the Arab World, as a protest to the violence taking place in this region.

Finnish media theorist discusses slow violence & environmental crisis through the prism of art, design, and technological practices.

The first full English translation of the Argentine artist León Ferrari's uncompromising literary masterpiece from 1967. A critique of the Vietnam War and American imperial politics, the book weaves together hundreds of excerpts from newspapers, periodicals, works of history, the Bible, and other sources.

This artist's book gives a photographic account of the Creech Air Force Base—a Drone Base set in Indian Springs, Nevada, which carries out military actions in the Middle East. Picture alteration plunges the viewer into an eerie, dreamlike narrative recalling the universe of J. G. Ballard.

This monographic catalogue collects the visuals of works focusing on the relationship between the activities of the intelligence agencies and magic practices during the Cold War era.

Filmmaker and writer Alexander Kluge combines fiction and reality to deliver one of the most striking testimonies that have been written about the bombing of German cities by the Allies.

Collection of poems gathering texts on similar subjects, such as the unknown, violence and war, technology and information, phylogeny and the ontogenesis.

An introduction to the work of a pioneer in media, cinema and sport criticism in Japan, whose thinking deeply marked the counter-culture movements of the 60's.

Greetings from Auschwitz is a book based on an unusual collection put together over several years by Polish artist and curator Paweł Szypulski. It shows postcards sent by tourists who visited the former Nazi death camp Auschwitz-Birkenau. The oldest postcard dates from 1947—only two years after the liberation of the camp.

An unprecedented encounter between contemporary art and World War II historic & natural sites in Austria.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

Jérôme Zonder's drawings in large format.

A portrait of a divided Nicosia.

Nitsch's Sixth Symphony for large orchestra performed and recorded November 1, 1980 at Museum des 20. Jahrhunderts, Vienna.

PARIS LA #13 or CHEZ CHEZ PERV PERV has been especially created by the artists Gardar Eide Einarsson, Matias Faldbakken, and Oscar Tuazon.

The relationship between Modern art and its destruction.

The press photographs reproduced in this publication show the bombing of Bagdad. They were taken from German newspapers soon after the beginning of the second iraqi-american war in March of 2003. Following their removal they were placed and stuck in the centre of a piece of paper, aiming to be as precise as possible (artist's book).

A “monologue” by the Cambodian photographer who offers an intimate reflection on the traumas of the recent history of his country.

A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

The last volume of the journal of political activist Jann-Marc Rouillan after his prison release.

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles's forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij.

The role of history and commemoration in Germany today.

Catalogue of the main contemporary exhibition at HOK in 2014.

Compendium of stories, reflections and images conceived by a group of young French Romanis, during their trip to Birkenau for the commemoration of the massacre of the Gypsy camp during the night of August 2nd to 3rd, 1944.

Representation of pain in the art of the twentieth and twenty-first centuries.

An audio-visual project about the impossibility of a film on the Deir Yassin massacre, exploring the complex ramifications of the place (2 volumes artist's book).

Ten contemporary artists present works thematically related to the exhibition “Ravaged: Art and Culture in Times of Conflict”. This publication explores their oeuvres and reveals their creative processes. This contemporary perspective makes clear that the destruction of cultural heritage remains a very current subject today.

A collection of poems dedicated to the Revolutionary Left Movement's struggle against fascism in Chile.

A historical and theoretical reflection, on the border between aesthetics and politics, on the decisive role of the images and the power and limits of representation, in the context of the last genocide of the twentieth century.

A statement about speculation, photography, time and withdrawal.

A double portrait of Libya.

A poetic manifesto against the brutality of all forms of power.

A dystopian tale describing a guerilla between fascist militias and utopist groups.

Function of visual arts in France during the First World War.

Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.

The most monumental auto-creative work ever made by Gustav Metzger (catalogue of the exhibition at MAC Lyon, with numerous archive documents, newly commissioned texts and a conversation with the artist).

Artist's book: Tadashi Kawamata compiles, like a scrapbook, photographs taken from newspaper reporting natural disasters, terrorist attacks or accidents.

Artist's book (Tadashi Kawamata compiles, like a scrapbook, photographs taken from newspaper reporting natural disasters, terrorist attacks or accidents), with an original artwork signed by the artist.

Political activist Jann-Marc Rouillan chronicles his life on parole after 25 years in prison. With illustrations by Marie-Claire Cordat.

Autobiography of Hungarian stage director and playwright George Tabori: a collection of memories oscillating between pathos and drama, delivering a lucid picture of the rise of Nazism.

First monograph.

Artist's book (a series of drawings on paper, on aluminium, as well as some wall drawings, dealing with spoliation of artworks in France under the German occupation).

Following the lead of American objectivist poetry, Gaza, d'ici-là is a poetry-testimony based on an official document published by the UN on one of the military operations carried out in Gaza by the Israeli government.

The frontispiece of Hobbes' Leviathan, Marat at his last breath by David, "Your country needs you", Guernica by Picasso: four essays on political iconography.

An overview of French revolutionary armed groups from 1968 to 2000.

Publication documenting the case of Georges Ibrahim Abdallah—founder of the Lebanese Armed Revolutionary Factions, imprisoned in France since 1984.

A compilation of black-and-white preparatory drawings and collages recounting the barbarity of the world.