Art & war / violence

The first study dedicated to Fabio Mauri's performative work.

What can art do to relieve pain and heal wounds? This issue's main section addresses these questions through an examination of works by Kader Attia, Emily Falencki, Eric Fischl, Berlinde De Bruyckere and Teresa Margolles, as well as two essays by Édith-Anne Pageot and Mirna Boyadjian. Other features includes an interview with Marion Zilio, followed by the usual sections “Interview”, “Events” and “Reviews”.

In 1918, art historian and cultural theorist Aby Warburg emerged from a severe episode of psychosis. At about the same time he gave a conference on the Hopi nation's ritualistic snake dance. Focusing on his bout with mental illness, the film melds the aftermath of the Great War with his hopes for eventually recovering.

This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell blocks at Eidsberg and Ullersmo Prisons.

This publication documents a research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic. It features a selection of Masotta's writings as well as contextual essays on his work.

The portfolio of the exhibition at the Jeu de Paume.

Halway between the catalogue and the conceptual publication, Road to Victory presents Pittas' re-reading of exhibition designer Herbert Bayer's 1942 eponymous propagandist show at MoMA. It gathers works by Pittas stemming from his reflection on this historical exhibition, archives, and an anthology of essays by acclaimed authors.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

A transdisciplinary study on the Tutsi genocide, tackling various issues related to the writing and the transmission of the genocide's history, to its political and judicial dimensions, and to its media and artistic representations.

This publication provides a wide-ranging survey of the Argentinian artist's literary collages—produced from 1965 to 2013—which use appropriated texts, representing a kind of experimental writing at the intersection of visual arts, performance, theater, literature, and activism.

With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

The catalogue of the Irish Pavilion at the 57th Venice Biennal presents a video project by Jones in which Korean actors reenact a 1970s documentrary of a “conflict resolution therapy session” with individuals who experienced the conflict in Northern Ireland.

This monographic catalogue presents a series of works by artist Minouk Lim which draws on the tragic events of the 1950 Korean war and their aftermaths. Based on installations, sculptures, videos, and performance pieces, Lim's visual language mirrors a nation's refusal to face up with its history and initiates a reflective process to come to terms with the past.

First performance of the original 60-minute composition for string quartet in 4 parts, recorded at the Nitsch Foundation in Vienna in 2016. With Anne Harvey-Nagl and Diane Pascal on violins, Marta Potulska on viola, and Mara Achleitner on cello.

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

In Diary of a Leap Year, Lebanese artist produces 366 daily collages from political newspapers in Lebanon and the Arab World, as a protest to the violence taking place in this region.

Finnish media theorist discusses slow violence & environmental crisis through the prism of art, design, and technological practices.

The first full English translation of the Argentine artist León Ferrari's uncompromising literary masterpiece from 1967. A critique of the Vietnam War and American imperial politics, the book weaves together hundreds of excerpts from newspapers, periodicals, works of history, the Bible, and other sources.

This artist's book gives a photographic account of the Creech Air Force Base—a Drone Base set in Indian Springs, Nevada, which carries out military actions in the Middle East. Picture alteration plunges the viewer into an eerie, dreamlike narrative recalling the universe of J. G. Ballard.

This monographic catalogue collects the visuals of works focusing on the relationship between the activities of the intelligence agencies and magic practices during the Cold War era.

Filmmaker and writer Alexander Kluge combines fiction and reality to deliver one of the most striking testimonies that have been written about the bombing of German cities by the Allies.

Collection of poems gathering texts on similar subjects, such as the unknown, violence and war, technology and information, phylogeny and the ontogenesis.

An introduction to the work of a pioneer in media, cinema and sport criticism in Japan, whose thinking deeply marked the counter-culture movements of the 60's.

Greetings from Auschwitz is a book based on an unusual collection put together over several years by Polish artist and curator Paweł Szypulski. It shows postcards sent by tourists who visited the former Nazi death camp Auschwitz-Birkenau. The oldest postcard dates from 1947—only two years after the liberation of the camp.

An unprecedented encounter between contemporary art and World War II historic & natural sites in Austria.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

Jérôme Zonder's drawings in large format.

A portrait of a divided Nicosia.

Nitsch's Sixth Symphony for large orchestra performed and recorded November 1, 1980 at Museum des 20. Jahrhunderts, Vienna.

PARIS LA #13 or CHEZ CHEZ PERV PERV has been especially created by the artists Gardar Eide Einarsson, Matias Faldbakken, and Oscar Tuazon.

The relationship between Modern art and its destruction.

The press photographs reproduced in this publication show the bombing of Bagdad. They were taken from German newspapers soon after the beginning of the second iraqi-american war in March of 2003. Following their removal they were placed and stuck in the centre of a piece of paper, aiming to be as precise as possible (artist's book).

A “monologue” by the Cambodian photographer who offers an intimate reflection on the traumas of the recent history of his country.

A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

The last volume of the journal of political activist Jann-Marc Rouillan after his prison release.

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles's forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij.

The role of history and commemoration in Germany today.

Catalogue of the main contemporary exhibition at HOK in 2014.

Compendium of stories, reflections and images conceived by a group of young French Romanis, during their trip to Birkenau for the commemoration of the massacre of the Gypsy camp during the night of August 2nd to 3rd, 1944.

Representation of pain in the art of the twentieth and twenty-first centuries.

An audio-visual project about the impossibility of a film on the Deir Yassin massacre, exploring the complex ramifications of the place (2 volumes artist's book).

Ten contemporary artists present works thematically related to the exhibition “Ravaged: Art and Culture in Times of Conflict”. This publication explores their oeuvres and reveals their creative processes. This contemporary perspective makes clear that the destruction of cultural heritage remains a very current subject today.

A collection of poems dedicated to the Revolutionary Left Movement's struggle against fascism in Chile.

A historical and theoretical reflection, on the border between aesthetics and politics, on the decisive role of the images and the power and limits of representation, in the context of the last genocide of the twentieth century.

A statement about speculation, photography, time and withdrawal.

A poetic manifesto against the brutality of all forms of power.

A dystopian tale describing a guerilla between fascist militias and utopist groups.

Function of visual arts in France during the First World War.

Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.