This publication catalogues the trajectory of a cycle of performances of the same name, through which the artist attempted to exhaust his interest in the Guatemalan
Civil War as a recurring subject of his work. It documents the six performances in the cycle via foldout colour posters of each work, and an essay by Frédérique Bergholtz and Susan Gibb which offers descriptions of each performance alongside a reflection on the cycle as a whole.
The publication comes with two different covers, distributed randomly.
