Art & new technologies / digital art / interactive art / net art / media art / AI

Yann Toma explains what is Ouest Lumière and "Presidential Art" (limited edition with an original artwork signed by the artist).

J. Donguy introduces the visual and sound experimentations of concrete poetry, from 1953 (Gomringer and de Campos) to the current movements ("digital area"). The anthology, followed by an international bibliography, offers the first overview of this art, with 300 illustrations.

Monograph dedicated to the abstract artist's graphical paintings and objects, accompanied with a long essay by Jeff Ryan.

Yann Toma explains what is Ouest Lumière and "Presidential Art".

Catalogue of two exhibitions: a thousand electric light-bulbs arranged in a grid on a flat aluminium support form the analoge frame that produces low-resolution video images.

A collection of digital artworks.

This book considers the importance given today to the research for new narrative modes in artistic practices: visual arts, cinema, and literature.

Biotech art and the posthuman.

Three interviews with the President for life of the Ouest-Lumière Company.

Catalogue of three exhibitions about interactivity in digital arts: theoretical texts, notes, ionterviews and documents.

Reference monograph.

The contemporary urban city and the links to the utopian city.

Leporello in a box: a book documenting Jean-Charles Blais' œuvre and a 6,40 meters long work.

A sound poem and a digital art index by a pioneer of virtual art. The artwork accompanying this limited edition comes in the form of a CD-Rom containing an algorithm that creates a unique work for each copy.

This book, part psychedelic philosophy, part biography, is the first to present Sture Johannesson's work in depth, documenting his affiliations with the “high” underground and the punk movement, his activism and his radical exploration of the relationships between art, politics, technology, and human consciousness.

A sound poem and a digital art index by a pioneer of virtual art.

Jean Dupuy's anagrams in three volumes, with a selection of artworks.

Exhibition catalogue (art & architecture).

Those who spread their image over Internet, what do they want? And what do those who view them get out of it? Numerous are those who jumped on the bandwagon of the webcam, pushing its spectrum of video-surveillance and condemning it to voyeurism or exhibitionism. Far beyond the simplistic idea of opposing exhibitionist / voyeur, actor / spectator, active / passive, the webcam serves as a meeting point of exchanges, complicity, views of or relationships with others, what Nicolas Thély terms as "web-intimacy".

Giving a good introduction to the virtual realm, this book examines, through art, science and culture, the two visual forms and utopias that exemplifies our modern era: video and computerized images.

Considering the relationship between technology and imagination , this book undertakes a mediological reflection on the current cross-hybridization of media which exacerbates and enriches the inherent differences between cinema, video and images. Included, a dictionary of international video-makers and their works.

This book reproduces a series of gouache drawings by Jean-Charles Blais, which uses a hand bandaged as pattern, drawn in very close-up.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record.

Limited edition of the legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record, and with an original lithograph, dated, numbered and signed.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

Two monumental pieces for flutes and additional voices.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

A contemplation on the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.

Image and contemporary art in the post-digital age.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

The relationship between art and cybernetics and their intersections in the past and present.

Set alongside guest contributions, this catalogue offers, from the works of the two Dutch artists Nicky Assmann and Jan Robert Leegte, a fresh take on the fundamental concept of nature, in an age when science and technology are capable of replicating its phenomena.

The current state and future of painting in the digital age.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

A collection of 360 postcards of cities from all around the world, made with screenshots from 3D software Apple Maps and Google Earth.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

A lexical survey on compositional practice in contemporary dance.

New monograph.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

Monograph dedicated to a pioneer and leading figure in new media art.

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.

This publication examines the new paradigms of creation, dissemination and teaching of photography in the digital age. Resulting from a research project by the Master Photography at ECAL/University of Art and Design Lausanne, the publication includes a series of essays and interviews, productions done by the Master's students, together with a selection of representative works.

This catalogue surveys the literature on our relationship to a world of machines, new technologies, and electronic devices. It brings thoughts on automation and its promises, primarily the end of labor. The publication unfolds a bibliography and chronology on the subject.

The origins of the digital in architecture in 14 case studies from the late 1980s to the early 2000s.

This issue questions artificial intelligence according to theories of utopia and dystopia, of existence and consciousness, and of gender and identity. It features Ian Cheng, Mario Klingemann, Sondra Perry, Sam Lavigne, Harold Cohen's AARON, Lawrence Lek, Jenna Sutela, Lynn Hershman Leeson, Cécile B. Evans, Leonel Moura and Stelarc, “Automating Aesthetics” by Lev Manovich…

The origins of the digital in architecture in 14 case studies from the late 1980s to the early 2000s.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.