Art & language

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter.

Badge in reference to the artist's work entitled C'est selon, ORDONNER.

Paintings and photographies.

An anthology focusing on the relationship of language to sound, writing to music, bringing together a collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art.

Two artist's books reprinted with a third book never published.

This book presents the whole texts of the Living series by Jenny Holzer, printed on 400 tracing paper pages.

Artist's edition: three books batch ("philosophy", "history", "economy").

Artist book from a 16mm film in which an urban scene is repeated several times with slight variations.

Exhibition catalogue.

Reproduction of the artist's book published in 1975.

This artist's book, printed in blue, contains a text by Jean-Claude Lebensztejn and an intervention by Lawrence Weiner.

Artist's writings.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by McCarthy and Cornelia Butler, biographical and bibliographical notes.

First retrospective catalogue: includes a chronology of the artist's works from 1967 to 1996, a bibliography, and texts by Yves Aupetitallot, Catherine Quéloz, Dan Cameron, and Ruppersberg himself.

How to exhibit the architecture? Two Swiss architects answer this question (a conversation with Rémy Zaugg).

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

Preliminary graphic designs for paintings.

A long interview between the philosopher René Denizot and the artist Robert Barry.

Artist's book.

Vinyl EP record.

Invited by Marie de Brugerolle, a group of artists look at the work of John Baldessari.

Renewing our understanding of Ruscha's art.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).