Abstract painting

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Hans Hartung always gave a lot of attention to the filing of his works. This essay on the abstract painter is linked with a specific web site where one will find a rich iconography and documentation.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

Extensive monograph with serigraphs.

For this luxurious artist's book (transparent cover and pages, leaflets, inserted pages).

50 copies limited edition, signed by Gerhard Merz.

German artist's "word-images" (early works).

Monograph.

A collection of artist's writings about literature, semantics, dreams, poetry, photography, women...

A collection of artist's writings about literature, semantics, dreams, poetry, photography... (limited edition accompanied by a hand-enhanced photograph).

Catalogue.

Honegger' eclectic writings since 50 years.

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

Exhibition catalogue.

Artist's book (photographs taken on the road).

Monograph / interview.

Geneviève Asse's reflections on her pictorial and graphic work (limited edition accompanied by a numbered and signed stencil).

Reference monograph.

Unpublished text, painting on paper, unique piece.

Bernard Réquichot is well enough known as a painter, but still unknown as a writer. This new posthumous publication of his writings reveals the singular vision of a recluse, close to Stirner.

Artist's book (b/w drawings, sequenced by fluorescent yellow pages).

Unpublished text. Black monochrome, unique piece made with a spatula, dated and signed by the artist.

Unpublished text, signed original woodcut, unique for each copy

First artist's book by Robert Morris.

Catalogue.

Catalogue.

Five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989.

A monologue and a catalogue / a story and a description.

Exhaustive first presentation of Christian Robert-Tissot's work.

Daniel Buren writes on his friend Robert Ryman to highlight some questions raised by his oeuvre and by his own work.

Unpublished text accompanied by a leaflet with 8.7 cm stripes.

Unpublished text accompanied by an original monotype on a lead sheet, signed and unique for each copy.

Georges Noël tortures writing, plays with movement and shape to express feelings and invisible symbols. “Grafting of living on the intuitive”, his palimpsests indicate a new communication path. As Ambroise Ferrocarill, Georges Noël reveals himself in this unpublished text (with an original silkscreen print signed by the artist).

Unpublished text. Each copy includes a fragment of a set executed by stencil with the number of the plot taken by hand written by the artist.

Monograph.

Unpublished text, lithography, enhanced with pastel for each copy and signed.

Unpublished text. Original and unique painting for each copy.

Monograph conceived in close collaboration with the artist, with three essays.

This monograph investigates Opalka's relationship with numbers, time and infinity. With an original long-term interview of the artist which ran on for more than twenty years.

This monograph investigates Opalka's relationship with numbers, time and infinity. With an original long-term interview of the artist which ran on for more than twenty years.

Unpublished text. Original intaglio etching signed.

Using unpublished material at the Fondation Hartung Bergman, this exhibition catalogue concentrates on the earlier phases of Hartung's career and demonstrates the critical importance of his drawings.

A presentation of Hans Hartung's painted work.