Conceptual art

Baldessari's cinema works on DVD.

Unique publication bringing together raw material of artist's well-known “Joke Paintings”.

This DVD features for the first time 9 films by David Lamelas, a pioneer of 70's conceptual cinema.

This book is the first complete edition of the actions, installations and interventions of Jirí Kovanda : a rediscovery in Conceptual art.

Olivier Mosset's writings and discussions.

This small monograph follows the set-up of Robert Barry's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

A series of poems by Henri Cole used by conceptual artist Jenny Holzer for her monumental “signs” installations.

This monograph (somewhere between an artist's book and an exhibition catalogue) provides a complete overview of the Spanish artist's œuvre and an important documentation on each project.

Facsimile reissue of the original graphic poetry book self-published in 1975 by Guy de Cointet.

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

The most comprehensive monograph on Oehlen's paintings.

Conceived by the artist, this book gathers unpublished manuscripts, well-known as well as unshown works from his personal collection, erotic cartoons, fan's photographs, photographs of “white trash” suburbs and studio shots.

A comprehensive overview of the artist's body of work.

Badge in reference to the artist's work entitled C'est selon, ORDONNER.

An punk anthology of texts.

Haaning's project consists in a wall calendar similar in format and lay-out to the colorful ones you can buy in bookstores an shops. Instead of using popular images, it presents photographs of refugees, either alone or in small groups.

First monograph of the conceptual American artist.

Vinyl EP (live performance).

A re-appropriation of the comic books iconography.

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

The first English language monograph on Lo Savio.

Claude Rutault's writings on relationships between painting and photography.

Two artist's books reprinted with a third book never published.

This book presents the whole texts of the Living series by Jenny Holzer, printed on 400 tracing paper pages.

Live recording of two performances given by the artists in France.

Artist book from a 16mm film in which an urban scene is repeated several times with slight variations.

Venet's writings.

A collection of Dan Graham's articles about rock and experimental music.

First artist's book by Morris.

Reproduction of the artist's book published in 1975.

This artist's book, printed in blue, contains a text by Jean-Claude Lebensztejn and an intervention by Lawrence Weiner.

Artist's writings.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by Bas Jan Ader, Paul McCarthy, and Thomas Crow, biographical and bibliographical notes.

Booklet published on the occasion of a 1996 exhibition commissioned by Paul McCarthy and featuring the work of three European artists exiled in California: Guy de Cointet, Bas Jan Ader and Wolfgang Stoerchle. The publication includes texts by McCarthy and Cornelia Butler, biographical and bibliographical notes.

First retrospective catalogue: includes a chronology of the artist's works from 1967 to 1996, a bibliography, and texts by Yves Aupetitallot, Catherine Quéloz, Dan Cameron, and Ruppersberg himself.

A monumental monograph: works (1964-1995), texts (around thirty since 1970), the most important solo and group shows since 1969.

How to exhibit the architecture? Two Swiss architects answer this question (a conversation with Rémy Zaugg).

In his influential 1986 text, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space (available in English edition)

Exhibition catalogue.

Artist's writings.

Drawings and photographs by the artist / text by Lydia Lunch (hand numbered limited edition).

16 colour postcards

Preliminary graphic designs for paintings.

Artist's book: an album of twelve black and white boards realized specially for the project.

Exhibition catalogue.

Cindy Sherman's first catalogue.

An interview between the philosopher René Denizot and the artist Giulio Paolini.