Conceptual art

The fifth volume of Rémy Zaugg's complete writings (1980-2005): a series of texts of utmost importance, related to the great pictorial and philosophical researches of the 1980s. Alongside these texts, the publication features a collection of interviews and letters to friends, colleagues, art dealers, curators, and art collectors.

The sixth volume of Rémy Zaugg's complete writings (1982-1993): featuring some of the most influential texts written by the Swiss artist on art museum.

The seventh volume of Rémy Zaugg's complete writings (1984-2004): the publication brings together texts that formulate a practice and a criticism of exhibition that goes beyond genres and mediums, using concrete projects in given architectonic situations.

The heighth volume of Rémy Zaugg's complete writings (1988-1989): a portrait of Jean-Christophe Ammann.

The ninth volume of Rémy Zaugg's complete writings (1986-2005): a reflection on the artist's projects for public spaces, illustrated with personal statements and sketches.

The second volume of Rémy Zaugg's complete writings: five texts from the 1970s which highlight the influence of semiology (de Saussure, Barthes, Levi-Strauss…). on Zaugg's theoretical thought and practice.

Merlin Carpenter investigates the status of the midcareer artist with a conceptual project involving the exhibition of transit blankets. The publication documents these works and related gallery shows, in addition with texts by Kunsthalle Bern director Valérie Knoll and artist Sam Lewitt.

Mexican conceptual artist Mario García Torres examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return, in a series of works that reflect on the European migrant crisis.

This artist's book reactivates a press controversy which took place in 1970s London and affected the Tate Galleries' collecting strategies—in particular, the acquisition of Equivalent VIII, a work by minimalist artist Carl Andre made in firebrick.

Gathering works from 1994 to 2017, this new monograph focuses on the artist's fictional self-portraits from his lightbox series as well as on his musical production. It includes an iconographic documentation, essays by artists, critics, and curators, and a text by Graham himself.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

In this publication, artist Gianfranco Baruchello and writer Michele Mari join forces to provide descriptions of their own dreams. Baruchello's illustrations and Mari's written notes unveil oneiric worlds made of symbols, recurring images, and obsessions, and address the question: just what are dreams made of?

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

Monographic catalogue showcasing the under-recognized work of Brazilian-Japanese artist Lydia Okumura, who, for almost fifty years, has explored the realm of geometric abstraction

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

An important work by American artist Mel Bochner yet strangely it remains little-known.

This handbook traces ten years of activity of Glitch and IKHÉA©SERVICES—two collaborative projects initiated by artist Jean-Baptiste Farkas.

This publication serves as an extension of Joachim Koester's artworks and research on Jerzy Grotowski's (1933-1999) mythical persona and experimental approach towards theater. More specifically here, Koester retraces Grotowski's trips to Mexico with the help of historians, anthropologists, and former students.

Reference monograph (also available in English).

An analysis of the work of an unheralded artist both profound and captivating written by his friend, artist and curator Stefan Banz.

This volume documents two parallel solo shows by Angela Bulloch and Maria Zerres, framed by the notion of entropy.

Photographic essay featuring pictures of inactive TV sets: a powerful semiotic reflection on the medium and its design.

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

This publication documents around 50 years of Nannucci editions, artists' books, multiples, prints, catalogues, posters, ephemera—edited as artist & editor—from 1967 to 2016. It includes an anthology of essays, two index of works, by category and in chronological order, a bibliography and a biography.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre.

This reference monograph reveals the scope of Guillaume Bijl's thinking and art during the last four decades.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre (available in English edition).

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

A list of titles for exhibitions available free of charge from the artist (artist's book).

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

New monograph: Josephine Meckseper's work exposes the paradoxes of consumer culture through the combination of mass-produced objects with images and artefacts of historical and political events.

The catalogue raisonné of the artist's books published by Bernard Villers's publishing house Le Nouveau Remorqueur (2003-2015).

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

Since 1993 Victor Burgin has produced projection works, in video or digital form. These works, like all his production since the early 1970s, include a substantial textual component which this book offers for appreciation independently of the images.

Essays about the work of Victor Burgin.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

The family archives of Július Koller's collaborator and loving partner Květa Fulierová (artist's book).

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Artist's book in two volume.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.

The fourth cahier of Dora Garcia's Mad Marginal project brings together essays by international authors that develop different threads pertaining to artist Dora García's practice.

An artist's book presenting an extensive series of grilles from American cars built between 1955 and 1962. A book allowing multiple readings and meanings, in a balance between conceptual rigor and visual sensuality.

The story of an iconic work by Claude Rutault.