Artist's writings

Artist's writings.

Unpublished bilingual text, silkscreen print on rhodoid enhanced by hand and signed.

Unpublished text, original lithograph enhanced and signed.

Unpublished text with an interactive silkscreen print that the reader must complete and send to the artist.

Five unpublished texts with an original lithograph signed by the artist.

Unpublished text, original silkscreen enhanced by hand and signed.

Unpublished text, signed original screenprint.

Unpublished text, original enhanced and signed silkscreen.

Unpublished text, original signed serigraph.

Unpublished text, original lithograph enhanced with painting and signed.

Unpublished text, signed, and a paper marie-louise.

Unpublished text, original and signed collotype.

Five unpublished short stories, original signed silkscreen print.

Unpublished text, original lithograph enhanced with Roland Topor's fingerprints and signed.

Unpublished text with an original silkscreen print signed by the artist.

Collection of texts.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

Lily Van der Stokker's illustrated autobiography of her life in New York in the 1980s, when she opened a gallery in the East Village.

The third issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of artificial intelligence (contributions by Keith Fullerton Whitman, Steve Goodman, Florian Hecker, Robin Mackay, Bill Orcutt, Akira Rabelais, Lucy Railton, Jean-Claude Risset, Sébastien Roux...).

A crazed narrative of entasy, a free-fall plunge into the vortex of digital introspection and poetic-cum-militant blackness.

The reprint of Pati Hill's 1979 book, composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist.

For its 150th issue, BOMB has redesigned its flagship print magazine. This design reaffirms its mandate to deliver the artist's voice, supporting the vital discourse that appears in BOMB with vivid imagery and innovative juxtapositions that encourage dialogue across the arts—from conversations between artists, writers, and performers to exciting literature. BOMB presents exchanges in their formative state: revelatory, fluid, and iconoclastic.

A collection of texts by the French-American photographer and filmmaker in which she reflects on her artistic practice and discusses her collaborations with other filmmakers, artists, dancers and choreographers such as Marina Abramović, Chantal Akerman, Trisha Brown, and Yvonne Rainer.

A Kannada-English bilingual book of essays on the culture of flex banners put up by pro-Kannada outfits and political parties.

Text transcript of the speech given by Evan Parker in May 1992 in Rotterdam as part of a series of concerts on the theme “Man & Machine.” Dedicated to Buschi Niebergall, De Motu brings a fascinating insight into the art of the British saxophonist.

The diary of an insomnia.

An history of graphic design before modernity: this first volume is a transdisciplinary collection of documents recording the existence of graphic design before the development of the written form.

Collection of recent essays and poems in which the American poet and critic examines issues of genealogy and influence, the poverty and privilege of place, architecture's relationship to language, and feminist economies of writing, reading, and art making.

Collection of artists' writings on video art, which revisits and reevaluates the early days of the practice, from 1970 to 1990. Including AA Bronson, Peter Campus, Antoni Muntadas, Nam June Paik, Martha Rosler, Bill Viola, and much more.

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

A special issue dedicated to John Giorno, in the framework of Ugo Rondinone's exhibition “I Love John Giorno” in New York.

As stated in the preface to this volume, the artist endeavoured to uncover the absolute absurdity that would be God and started one day to collect all affirmations of his being, whatever their character or source, contradictory or not. (...) The result is a 284 pages compendium buffering even the most avid reader.

A collection of unpublished or rare texts by architect and theoretician Frederick Kiesler written between 1927 and 1957.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

35 year anniversary issue featuring interviews with Ryan Trecartin, Shezad Dawood, Sadie Benning, Wendy Ewald, Trevor Paglen & Jacob Appelbaum, Ivan Vladislavić, Álvaro Enrigue, Christopher Sorrentino, Vijay Iyer, Yorgos Lanthimos, artists on artists' section with Naufus Ramírez Figueroa by Regina José Galindo and Anna K.E. by Corrine Fitzpatrick, literary fictions by Alexander Kluge and Gerhard Richter, Kate Zambreno, Domenick Ammirati, poetry by Joan Retallack, John Ashbery, Eugene Ostashevsky, Daniel Poppick, exhibitions and books' reviews...

Fifty verses by New-York musician Moondog.

This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.

First published in German in 1987, this is artist and writer Jutta Koether's meditation on painting. In novella form, f. follows several disembodied female characters as they consider velvet, coral, the curtain, money, color, red.

An anthology of texts by the artist.

Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

Jean Epstein's complete writings.

Jean Epstein's complete writings.

A “fictionalized adaptation” taken from the audio of Seth Price's Digital Video Effect: “Spills.”

A selection of writings by artist, poet and political activist Jimmie Durham, one of the most influential figures of recent decades: essays and conferences on art and society, critical reflections on “Eurasia”, the history of US-American Indian relations, and observations on the city and nature. A recurrent theme is his interrogation of the ideological complicity between monumental architecture and scripture – “architexture”– as the foundation of Eurocentric belief and tool of others' disenfranchisement.

Carl Andre's poems (retrospective monograph).

Ten texts written by Peter Wächtler between 2011 and 2013.

Luis Camnitzer plays the Drawing Room Confessions.