Catalogues

The tenth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

Looking back at a decade of activity of the project space Kinderhook & Caracas, this compendium showcases the work of the 83 Berlin-based artists whose practices have crossed paths through the small room on Kreuzbergstraße and several off-site projects around the city.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

Paradis is a continuation of the eponymous exhibition conceived by artist Marie Angeletti in Marseilles in 2021. The exhibition brought together 56 artists of different origins and generations. More than just a transcription of this event, this catalogue brings together some one hundred contributions, combining critical texts, poetry, artists' writings and new translations, alongside an equally large number of visual contributions and ad hoc works, most of them previously unpublished.

This book documents six years of reflections and productions, that is to say the 47 exhibitions—dedicated to young emerging artists as well as to major actors of the French and international art scene—organized at the Galerie Art & Essai of the University Rennes 2 between 2014 and 2020 under the direction of John Cornu.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have questioned the architecture of the Universe and the hidden laws of physics that govern it (also available in English).

Catalogue of an exhibition centered on the work of the artist and writer Helen Khal (1923-2009), an influential figure in the Lebanese art scene.

MUdec United, the new publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The first issue addresses the themes explored with an exhibition project composed of different stories related to the rainbow as a natural, cultural, spiritual and human phenomenon.

A wide-ranging panorama of La Réunion's artistic scene, through the works of 34 artists and texts by five authors, art historians, poets, and researchers: an exciting exploration of artistic creations that question postcolonial society, migration, displacement, cultural hybridization, as well as our understanding living together.

An exploration of emerging Italian design, revealing a great variety of approaches to the discipline.

A body of essays and artworks, edited by Marina Folkidis, about artistic production in the Mediterranean terroir.

The catalogue of the 13th edition of the Rencontres de Bamako - African Biennale of Photography, focusing on multiplicity, difference, becoming, and heritage.

Transformative solutions for food insecurity in the UAE over the past 50 years.

Proof of Stake – Technological Claims reflects on the themes of technology, organization, and ownership to investigate how objects are framed as technological and are used to organize life.

An exploration of the realities of environmental and social catastrophe through art practices.

From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.

Publication based on a cycle of exhibitions and events conceived by curator and art critic Elsa Vettier, inspired by the narrative arc of Bruce Sterling's 1980 science fiction novel of the same name, around questions of visibility, artificiality, control, surveillance, seduction and disappearance.

This publication presents a group exhibition of eighteen young artists who graduated from Ensba de Lyon in 2020, in the context of a health crisis that did not allow them to show their work under the usual conditions.

A collection of contributions and works around the figure of Prometheus, asking the question of the scope of our individual and collective action in an interconnected world, where humans and non-humans cohabit.

The 8 volumes of the publication conceived by Saâdane Afif for the Bergen Assembly triennial, gathered in a box set.

The special 8th edition concluding the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, constitutes the real catalogue of the exhibitions, with extensive visual documentation and texts by different authors, on some 300 pages.

Catalogue of the exhibition curated by Kunstnernes Hus Director and former Wire editor Anne Hilde Neset to award-winning novelist Tom McCarthy, invited to unpack, via contemporary art, the themes dealt with in his books.

The outcome of an examination of the collection of the Kunstmuseum Liechtenstein, and thus the history of the Museum, by four different contemporary artists.

BODIED unites an internationally diverse group of artists who, in positioning the body at the centre of their work, explore how our physical forms are shaped by the social worlds around us.

Austrian artist and curator Anna-Sophie Berger here assembles a group of works, from Arakawa and Gins to Lyle Ashton Harris, that register the body as a habitat that can be imaginatively stretched, altered, modified, adorned, replicated or destroyed.

The catalogue of the 17th Geneva Biennial, dedicated to artists' film and video, curated by the New York-based collective DIS and Andrea Bellini.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A perspective on the challenges related to training, professionalization, social rights and aesthetic and theoretical concerns of young artists, through the assessment of the activities of GENERATOR, a unique program of experimentation, professional training and international residency for curators.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

Catalogue of a group exhibition mounted from the FRAC Réunion collection around identity issues such as racial, social or sexual constructions.

A panorama of the contemporary underground graphic scene, at the crossroads of drawing, comics and illustration, through the exhibitions, the numerous collective projects and the works of more than fifty international artists associated with the history of the mythical Parisian gallery Arts Factory (from Nine Antico to Willem through Charles Burns, Stéphane Blanquet, Hervé Di Rosa, Kiki & Loulou Picasso, Killoffer and Pierre La Police).

The Drawing Centre Show brings together 62 international invited to produce a series of three drawings, selected by four curators (including two artists, also participating): Gene Beery, Katherine Bradford, Joe Bradley, Roberto Cuoghi, Steve DiBenedetto, Carroll Dunham, Rachel Feinstein, Bruno Gironcoli, Sophie von Hellermann, Charline von Heyl, Jacqueline de Jong, Martin Kippenberger, Maria Lassnig, Tobias Pils, Gerwald Rockenschaub, Lily van der Stokker, Betty Tompkins, Franz West, Heimo Zobernig...

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

The catalogue of the 15th Triennial of Small Sculpture Fellbach exhibition, curated by Elke aus dem Moore.

A collection of contributions and works of about 15 international artists around the concept of "biomedia" developed and contextualized by Peter Weibel (ZKM), providing insights into mutual correlation between ecosystems and technology, and possible ways in which organic and inorganic life forms can coexist.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

The manufacture of contemporary art objects.

The portfolio of the exhibition at the Jeu de Paume, the first major retrospective in France on the filmmaker and biologist specializing in underwater fauna Jean Painlevé (1902-1989), considered one of the founding fathers of scientific cinema and a source of inspiration for the avant-gardes and the surrealist movement.