Turntablism

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

A sound postcard by eRikm: an instant composition recorded on CD, somewhere between sound performance and radio creation, accompanied by a booklet of photographs.

A series of ghostly ink drawings and scanographs by eRikm, accompanied by a mixed sound piece, with sound texts freely inspired by fragments of stories about the universe of the Yokai, these ghosts and supernatural creatures that inhabit Japanese mythology, between hypnotizing soundscapes and bewitching instrumental devices.

Six unreleased piano pieces by Milan Knízák, written between 1991 and 2021, played by Czech piano virtuoso Miroslav Beinhauer.

An investigation of dubplate decay and the tactile relationship to the disc.

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

This book is a documented and illustrated manual of the turntablism practices developed by Maria Chávez over many years. It encourages experimentation and personal research through numerous examples and detailed instructions.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

An accordion and two turntables for an abstract musette.

A sound dialogue between eRikM and Anthony Pateras.

New “electro-contempo” collaboration, born out of the encounter between turntablist DJ Olive, musical director of Ensemble Musiques Nouvelles Jean-Paul Dessy, and violonist David Núñez. The second CD includes a live recorded at Les Transnumériques festival.

Milan Knížák 1979's masterpiece never re-released in vinyl before: classic collages of noises created during performances and happenings, widely regarded as important sound art documents on record.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

This artist's book / CD includes an innovative work made of sound and pictures related to an installation made by the artist in Japan in 2012.

Special one-sided recording with a visible spiral loop on Side B by turntable-music performer Dieb 13.

First monograph.

A collaboration between these two artists has generated a world of bouncing, textured material. Surrounding a focal piece of 20 minutes are six shorter works which retain the listener's attention and transport them into a unsuspected otherworld.

The Rectange label "recycled" by eRikm.

A retrospective.

A compilation of string compositions and collages by multimedia artist and composer Milan Knížák, performed by the fama Q string quartet.

A new body of works.

First publication dedicated to Christian Marclay's photographic practice.

The book reunites some of the performer, musician, visual artist and filmmaker's most important films and projections to date, with five important essays and an interview by Michael Snow.

The Rectange label "recycled" by Otomo Yoshihide.