Morocco

Primarily intended as a reference work for those in charge of regenerative gardening training courses in Morocco, this ecological gardening guide, written under the direction of Carey Duncan in collaboration with the Bouregreg Med-O-Med Gardening School in Salé (FUNCI), is aimed at both professional gardeners and experienced amateurs.

A richly illustrated book presenting the artistic work and personal stories of cutting-edge fashion designers and artists from Morocco and the Moroccan diaspora in the Netherlands.

Soufiane Ababri's sketchbooks.

A tricontinental exhibition and publication project that takes the form of a multiauthor monograph to showease an artist whose work creates space to connect with the self; to be in the here and now.

A photographic tribute to the LGBTQ creative youth who is currently contributing to Mexican culture.

Malagasy artist Joël Andrianomearisoa explores Moroccan traditional knowledge and engages dialogue with diverse artistic perspectives, for the very first monographic exhibition dedicated to a contemporary artist at MACAAL, Marrakech.

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.

The Arabic edition of Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

A large research into the first, long forgotten film by Moroccan filmmaker Mostafa Derkaoui About Some Meaningless Events (1974): a cinematographic history that sketches out a constellation of micro-histories on the cultural, artistic and political Morocco of the 1970s.

A series of drawings made during a field visit by the filmmaker, writer and artist Ahmed Bouanani. Here ethnographer and illustrator, Bouanani analyzes the construction of Berber jewelry by sketching a taxonomy and a geography of formal symbolism of Berber groups in Morocco.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

Music, sound, memory and perception in Latifa Echakhch's practice and work.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

A new approach to psychological suffering, integrating non-Western knowledge with that of psychiatry and psychoanalysis, in order to rethink the cultural and linguistic heritages and crossings that constitute a plural universal.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.

Artist's book.

A protean project embracing a reflection around the photographic medium and modes of understanding the world (artist's book).

Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

A collection of thoughts, fragments and poems set in a prose text, between the newspaper, written from day to day, the essay and the autobiography.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

Bouchra Khalili's films, video installations, photographs and silkscreen prints suggest civic platforms, from which members of minorities perform their strategies of resistance to arbitrary power. This catalogue dedicated to the French-Moroccan artist spans ten years of creation.

This publication examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization. Its liberation from colonial rule has come to a standstill due to Morocco's continued military occupation of a part of the territory. The protracted conflict has dramatic consequences for the Sahrawi people of Western Sahara.

Reference monograph.

Collection of poems.

A music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.

Ymane Fakhir's project “The Lion's Share” combines sculptures, video, photography, and text, to narrates the story of a bereaved Muslim family and their share of the inheritance. An algebra lesson in which the Moroccan artist examines the place of women in the Muslim family—and beyond.

Music score for four toy pianos, revolving around four notes—A, B, C, and E. Inscribed in the minimalist aesthetic of contemporary music, the piece was inspired by the rhythm of traditional Moroccan ceremonial music. With an essay by video artist and writer Laëtitia Laguzet.

At the crossroads of an artist book and a graphic novel, Fawda is an ode to Casablanca's life, presented through a non-linear narrative inspired by vox-pops.

Photographic companion book to the film La controfigura (“The stand-in”) by Rä di Martino: the tale of a cinema troupe in Marrakech trying to shoot the remake of The Swimmer, the 1968 film with Burt Lancaster, based on a short story of the same name by John Cheever.

Box set gathering 2 books / DVDs and one book.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

Liaisons urbaines [Urban Connections] chronicles the development and implementation of an eponymous programme for enhancing public spaces in African cities by operations that combine urban planning and development, design, art and heritage.

This “book-object” prompts the reader to piece together a fragmented narrative comprising texts and pictures to color, to copy, to associate…

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China.

A protean series of works in which artist Fatima Mazmouz thinks her pregnant body as an artistic process and as a place of performance.

A book / DVD on the artist residency in Tetouan in Morocco, with works by Fouad Bouchoucha, Jordi Colomer, Moussa Sarr, Simohammed Fettaka, Mohssin Harraki, Youssef El Yedidi, and Kader Attia.

Mustapha Akrim's works mixes at once protest, aesthetics, philosophy and politics. The project documented in this catalogue questions labour and education—two notions symbolized by the recurring motif of the fly. As a work in progress, “Iqraa” also refers to the idea that nothing is fixed—neither aesthetically nor politically.