Anthropology / ethnology / social studies

A conference on the invention of perspective, Arab science and the art of the Renaissance.

Reference monograph.

A first-hand account of the Western world on the threshold of a major global mutation.

First translation in French of a major work by British social anthropologist.

13 British and French researchers in popular music studies highlight the differences and similarities between two contexts and two research traditions to better understand the amplified music on both sides of the Channel.

Research in Design and Art.

A thoroughly investigation of the social role of art articulated by the French left during the July Monarchy and Second Republic.

A part of the Dutch Pavilion at the 52nd International Art Exhibition of the Venice Biennale.

Audio project documenting the artist's travels in West Africa, pursuing cultural differences, the place of music, and the languages used to get at sound. Includes texts and audio CD.

An understanding of rock culture through its networks of actors, tastes, objects, systems, activities and practices.

A sociological analysis of the production mechanisms of amplified music in France in parallel with the development of French cultural industries.

An historical and sociocultural study on metal music, and the first sociological portrait of the movement in France.

82 photos taken in bathrooms (Bettina Rheims, Araki, Jacques-Henri Lartigue, Bertrand Desprez, Giselle Freund, Pierre & Gilles...), with an essay by Jean-Claude Kaufmann, half-way between voyeurism and sociological commentary

Conceived as a textbook with images rather than an exhibition catalogue, the book reflects on the diversity of fundamentalisms, a phenomenon that is not confined to particular cultures or modes of thought; its intention is to explore the concept in its many forms and multiple origins.

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

A sociological analysis of the history of alternative art in Quebec.

Artist's writings.

A conversation between the sociologist and the artist: a sociology of art at the service of a political project.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

A field recording project initiated by Japanese sound artist Yasuhiro Morinaga, documenting traditional gong music by different Southeast Asian ethnic groups.

A field recording project initiated by Japanese sound artist Yasuhiro Morinaga, documenting traditional gong music by different Southeast Asian ethnic groups (2 CDs with a 52 page booklet).

Amazonia: Anthology as Cosmology is devoted to Amazonia, its peoples, allies, and nonhuman spirits, and their myriad material and immaterial practices, from certain cosmopolitics and visual languages to past and present forms of resistance.

The catalog of the international exhibition initiated at Les Abattoirs reveals a little-known story that was a milestone in 20th century psychiatry and its new links with art brut and modern art, taking as its starting point the career of the Catalan psychiatrist François Tosquelles (1912-1994).

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.

Everything Passes Except the Past takes an artistic and discursive approach to coming to grips with a colonial past that remains present in ethnographic museums, public space, and image archives.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

For the past ten years or so, several hospitals, art and design schools, social science researchers and design agencies have been mobilizing around the notion of care, a concept derived from American féminist philosophy. This publication aims to explore the place of color in this concept of care.

The reprint of an unjustly forgotten book edited by renowned historian E. P. Thompson, detailing the experience of socialist British youth volunteers working on constructing the railway from Šamac to Sarajevo in Yugoslavia in 1947.

This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.

Never released before recordings from Logos Foundation live sessions in Brussels, on May 7, 1977. Toop and Burwell's association, which ran during the seventies, was a good mixture of musical decomposition through free improvisation, bioacoustics, environmental sound, raw musics, anthropology, and esoterism.

In recent years, most diverse disciplines have been stressing the importance of matter within the web of relationships of culture and nature. This publication focuses on this new material phenomena in arts in relation to the humanities and social sciences and brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

The unfinished works of Sergei Eisenstein are traversed by aesthetic, anthropological, and political questions. Focusing on the anthropology of rhythm that the Soviet director developed in his Mexican project, Que viva Mexico!, this book also extends its analysis to the film projects Bezhin Meadow and The Great Fergana Canal.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

More than an hour of ultra-rare documents, recorded in several places in Greenland and Canada from 1905 to 1987: the testimony of a century of Inuits recordings.

More than an hour of ultra-rare documents, recorded in several places in Greenland and Canada from 1905 to 1987: the testimony of a century of Inuits recordings.

At the heart of this book is a solo exhibition of the work of M'barek Bouhchichi in Rabat, and the artist's first attempt at directly confronting the wound of growing up black in Morocco. With contributions by an anthropologist, a filmmaker, and a writer from Africa, this volume puts recent transformations of Moroccan society into perspective. Beyond studying inequality and spatial segregation, what is at stake is the possibility of transfiguring the stigma of racism through art and research.

If France is a land of immigration, what about its variété genre? This issue of Volume! aims at tracing the French paths of artists of foreign origin—those who integrated the legacy of chanson française, and those who left a mark on their community by singing exile. As a protean form of expression, variété is an ideal object to observe the ways in which immigrant and foreign identities have been moulded in post-1945 popular music.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen (LP version mixed by Lawrence English).

This second edition of Ixiptla takes the form of a newspaper to broadcast the multiplicity of views and experiences connected to the complex history of the objects shown in the exhibition “Parergon” at Hamburger Bahnhof in Berlin.

Artist's book.

First monograph.

The annotated facsimile of the original Portuguese edition of Aimé Césaire's fundamental anticolonial text from 1950, banned during the Portuguese dictatorship (but clandestinely published by Filipa César's father in 1971).

A dialogue between two singular appropriations of the concept of cannibalism at two key historical moments: a new translation of Oswald de Andrade's cult poem, advocating the symbolic ingestion of the colonizer and his culture, faced with an analysis by Suely Rolnik of a perverted contemporary cannibalism experience in the context of financial capitalism.

A collection of mostly unpublished essays, notes and letters which shed a new light on Warburg's last studies.

150 black-and-white photographs from the New York studio of Richard Nonas taken by the artist.

Theoretical and artistic reflections on the history and contemporary relevance of animism.

Walter Benjamin reader of Charles Fourier.