Brazil

Reference monograph.

Reference monograph, with an original engraving, numbered and signed.

Reference monograph.

New monograph.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

The anthology of the founder of the concrete poetry movement in Brazil.

Limited edition of the anthology, with an original signed silkscreen.

A complete survey of performance arts in Latin America and Asia today.

An investigation into Eduardo Kac's practice in 50 questions asked by digital art historian Dominique Moulon.

Box set of 10 DVDs featuring 20 interviews conducted and produced by Suely Rolnik on experimental practices that Lygia Clark (1920-1988) developed from 1962.

The militant essay by poet, theoretician, critic and translator Haroldo de Campos on one of the most radical members of the Brazilian avant-gardes of the 1920's: a key contribution to the critical rehabilitation of a work that has strongly influenced Concrete Poetry in Brazil, as well as many poetical adventures of Western modernity.

This publication features fictions dealing with physical deformations and doubles, in order to reflect on the duality of man and the body.

Artist and poet Eduardo Kac is internationally recognized for his interactive works on internet and for his practice of bio art. This catalogue dedicated to this singular artist features contributions by an art critic (Eleonor Heartney), a leader of the contemporary American novel (Steve Tomasula) and a French sociologist and philosopher (Pierre -Henri Jeudy). An interview with Eduardo Kac by Hugues Marchal concludes the volume.

Identifying an intensified concern for place-based production in art and architecture, Surface Tension – Supplements addresses questions of site-specific art, public and architectural design, and location-based practice. This 3rd issue extends artistic research and work taking place since 2006 in Brazil.

A collection of interviews with workers and employees at Edifício Copan, a landmark modernist architecture by Oscar Niemeyer in the center of São Paulo, embodying an era of radical political and economic changes within Brazilian society.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

Photographic essay dedicated to Lina Bo Bardi's Glass House. Armando Andrade Tudela outlines the relationship between the light, the building's structure and its close environment. Glass House is a perfect example of the union of Modernism and Brazilian vernacular architecture, and Bo Bardi's first production in Brazil.

What canvases reveal to us is often beyond what we believe we understand. Like true false semblances, they subtley encourage us to turn away from them in order to engage ourselves in their hidden intrigues (where they often meet our own).

A conversation about science fiction and robotics, ecology and gender, Indigenous Futurisms and what it means to be human.

Amazonia: Anthology as Cosmology is devoted to Amazonia, its peoples, allies, and nonhuman spirits, and their myriad material and immaterial practices, from certain cosmopolitics and visual languages to past and present forms of resistance.

A project by Éva Le Roi & Pierre Burquel (drawings and sketches of São Paulo); hand drawings by Éva Le Roi.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

Although the short-lived Brazilian cultural movement known as Tropicália is most commonly associated with music and the visual arts, its sense of playfulness and strategies of appropriation have stimulated many of the country's filmmakers from the 1960s to the present. This richly illustrated publication features essays, interviews, and manifestos with many key filmmakers and scholars reflecting on Tropicália's influence on Brazilian cinema.

The catalogue is the first comprehensive survey about the works and projects by the Brazilian artist and activist, spanning 1991 until 2015. It also includes unpublished artist's text by Alves, and essays by Pedro de Llano and T. J. Demos.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

The first monograph of Daniel Steegmann Mangrané spanning his entire work to-date. Structured around keywords defining the artist's practice, this illustrated edition also features reprinted literary texts.

The first in-depth survey of Duarte's practice, and the first time that a selection of his poems and texts have been translated into English.

Artist's book.

256 watercolours on sheets of graph paper.

A dialogue between two singular appropriations of the concept of cannibalism at two key historical moments: a new translation of Oswald de Andrade's cult poem, advocating the symbolic ingestion of the colonizer and his culture, faced with an analysis by Suely Rolnik of a perverted contemporary cannibalism experience in the context of financial capitalism.

An extraordinary book-sculpture.

The most comprehensive publication on the Bresilian artist.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.