Contemporary art

An overview of the Mexican artist's multifaceted work (paper collages, large-scale spider web sculptures, computer generated projections, videos and paintings).

A project based on archiving people's memories connected to specific songs and radio broadcasts. Includes over 100 memories from around the globe, along with contributions by curators and theorists Bastien Gallet and Carmen Cebreros Urzaiz, and an audio CD of related work by the artist.

Catalogue.

The first catalogue of Gitte Schäfer's work, between monograph and artist's book.

Artists' book: a selection of watercolors on paper.

Inspired by a monumental installation by Andro Wekua, this artist's book showcases a collection of illustrations and archives.

A reprise of Ed Ruscha's ground-breaking artist's book from 1963 (boxed set of 26 oversized postcard-like prints of photos).

A reflection on contemporary representations of man in the context of a continuous expansion of the field of visibility.

A project (photographs and video stills) originated in audio and visual footage gathered on journeys to the Chinese province of Yunnan.

Catalogue / retrospective monograph.

Anniversary issue (double, bilingual English / French, full color): a retrospective of cultural practices in Quebec City (visual arts, architecture, urbanisme, writing...).

From the artwork to the event / Salvador Dalí performer / surrealist suicide...

Catalogue of a double exhibition in Quebec and Cuba.

The tour guide of a miniature city in ruins (artists' book).

First monograph.

Large format artist's book.

The first publication in North America devoted to the installation work of the German filmmaker Harun Farocki.

A selection of Xerox printed preliminary works by artists—based on the 1966 book by Mel Bochner following the iconic conceptual art exhibition “Working Drawing And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art”.

Twelve films created by the artist and his wife between 1960 and 1963.

This monograph documents the artist's exhibitions since 2005, reflecting on the evolution and diversity of her work. The heterogeneous essays tracing her career are illustrated with exhibition views.

Page Sucker is a 32-page magazine featuring 16 photographs collected over the Internet via a single keyword. This keyword also determines the design of the magazine. This second issue is dedicated to the word “waterfall.” All images were photographed at the Yosemite National Park in Nevada.

An ironic, historic and personal assessment of the transformations of art in the years 1950-1960 by one member of the New realists: the story of collage, the return of dada, an evocation of Léo Malet, the work with Raymond Hains...

A collection of texts.

Writings and interviews by (and around) one of the main actors of the return to painting.

A new approach on the Situationist International and its paradoxical myths.

An overview of sound installations and environments by the experimental artist-musician, with three essays and an interview, a specific project, installations views and performances on audio CD.

How, in the course of their American exile, the surrealist artists (Duchamp, Tanguy, Masson, Ernst, Lam, Carrigton ...) were influenced by the literary and artistic context. Also a specific study on the perpetual renewal of Surrealism after war, linked with the importance of esoterism, the Amerindian civilizations, and Charles Fourier.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

First critical anthology of the poetry of Raoul Hausmann, one of the founders of Dada Berlin. It features many unpublished documents, an introductory essay by Isabelle Maunet-Salliet, and a recording of phonetic poems read by Raoul Hausmann.

This study takes a look back at a century of collage practice, including visual arts, photography, video art, cinema, sound art, and literature. Author Olivier Quintyn draws on a body of work that includes Picasso, Rodchenko, Jasper Johns, Max Ernst, John Heartfield, Denis Roche, Manuel Joseph, Anne-James Chaton, Oval, People Like Us…

Two films and a musical piece by Joachim Montessuis.

A full documentation on the collaborative project between Yona Friedman and Camille Henrot.

Two contemplative videos inspired by the Divine Comedy, with two series of photographs, images of burning newspapers and views from the rooftops of Cairo.

19 short stories related to the various ways of investigating space.

Kylie Minogue, Jasper Johns, Marcel Duchamp, Mario Merz, Damien Hirst, Jesper Just, Jeff Koons, Dominique Gonzalez-Foerster, Pierre Joseph, Guy de Cointet, François Curlet, Lothar Hempel, Yann Serandour, Philippe Decrauzat, Valentin Carron, Gilbert & George, John Armleder, Thomas Hirschhorn...

First monograph on Swiss young sculptor: a renewal of appropriationist discourse.

First monograph dedicated to Swiss artist's complex geometrical compositions reinvesting the inheritance of Op Art in a contemporary practice and discourse.

Reference monograph.

First monograph.

A retrospective monograph / a creative work that carries the artist's distinctive imprint in both its editorial structure and its design.

Reference monograph designed by the English artist, focusing on the projects of the last five years, with a new theoretical framework and full description of numerous projects.

Comprehensive monograph highlighting a new group of sculptures.

First monograph on German artist.

First monograph on Swiss young sculptor: a renewal of appropriationist discourse (also available in English edition).

First monograph (also in English edition).

A deliberately unrepresentative compilation of genre-hopping textual and visual material around the work of four artists who represent Switzerland at the 52nd Venice Biennial 2007.

A part of the Dutch Pavilion at the 52nd International Art Exhibition of the Venice Biennale.

A collection of texts by writers, critics, artists and scientists inspired by the artists' research or one of their specific works that form part of the BSI Art Collection.