Contemporary art

Camille Henrot, Harald Szeemann, Vincent Honoré and Mauricio Marcin, Jean-Max Colard, Christina Ramberg and artists' contributions for Playboy since the 60's, Alex Da Corte and Matthew Owen, Jordan Wolfson, Takeshi Murata, Claudia Wieser, Oliver Laric, Zak Kitnick, Mark Emblem and Clément Delépine...

Reference monograph, featuring Francesco Arena's works collection and his most important shows from 2004 to 2014, with texts by Marcella Beccaria, Lorenzo Benedetti, Florence Derieux and Ara H. Merjian.

First monograph on Cuban artist Wilfredo Prieto.

The first publication devoted to the artist's films.

First monograph.

Reference monograph: the first complete panorama of Kilimnik's production, allowing a vision that goes beyond the distinctions between painting, drawing, or installation (new and expanded edition).

A brief personal history of the radical tendencies of modern and contemporary art in Croatia.

The origins and creating process of the artwork.

A collection of 38 short, self-contained episodes (artist's book).

Some thoughts on authority by Jan Verwoert, Stylometry by John Menick, The Theater of Violence by Sladja Blazan, Manila in the Claws of Darkness by Giulio Bursi, Gottfried Lindauer, On Disintegration by Andrew Durbin, Notes on the Post-Digital Condition by Omar Kholeif, Learning To Escape the Politics of Prediction by Chus Martínez, Robert Gober, Jean-Frédéric Schnyder, Mélanie Matranga, Guan Xiao, Minimalism as Pathos by Nick Currie, Alice Könitz / Kim Fisher, Steinar Haga Kristensen, Bruce McLean / Tamara Henderson, The End of Art in Public Space by Jennifer Allen...

Nelly Ben Hayoun, Davide Cascio, Claude Closky, Denicolai & Provoost, Mark Dion, Shirley Jaffe, Daniel Johnston, Pierre La Police, Natacha Lesueur, Théo Mercier, Felipe Oliveira Baptista, Amandine Urruty...

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

A retrospective overview of the 12th edition of the Lyon Biennale, curated by Icelandic curator Gunnar B. Kvaran, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

The place and role of women in performing arts from 1912 to 2012, between performance and dance.

Artist's book.

A comprehensive examination of Robert Smithson's work and creative process.

Since 2010, Sophie Lapalu and Jean-Christophe Norman have worked together in the form of interviews and critical writings focussing on artistic actions and their visibility. De l'action à la conversation (“From action to conversation”) forms part of this reflective approach.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A research project in progress developed by the artist Johanna Viprey: the book narrates the encounter that has led the artist to investigate the personal history of Jeff Perkins, American performer painter and documentary filmmaker, from an anthropological perspective.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

Camille Pamela Rosenkranz, Tauba Auerbach, Renzo Piano, the 12th Lyon Biennale, Thomas Hirschhorn, Palm Springs, the 14th Venice International Architecture Exhibition, Camille Henrot, Mathias Faldbakken, Milan Kunc, Katharina Fritsch, Richard Artschwager, Haim Steinbach, Collier Schorr...

Artist's book.

A complete record.

The role of history and commemoration in Germany today.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

First monograph.

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

Limited edition accompanied by an original and unique signed artwork, hand colored comic strip box.

Willem's satirical drawings on art.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

Rethinking public space.

Minimalist progressive lofi techno tracks by MACON (Nicolas Murer) for a series of exhibitions by visual artist Lili Reynaud-Dewar.

As much adventure novel as catalogue raisonné, this book tells the fabulous pedagogical and artistic experience of the studio Pensée nomade, chose imprimée (Nomadic thought, Printed matter) led from 1989 to 2013 at the Bordeaux School of Fine Arts in France by Michel Aphesbero & Danielle Colomine (4taxis), and Jean Calens.

First monograph, with an essay by Jacqueline Burckhardt.

The second issue of the magazine published by Optical Sound, between experimental music and contemporary art.

Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. For Timing of Affect, Marie-Luise Angerer, Bernd Bösel, and Michaela Ott have assembled leading scholars to explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

An innovative analysis of our relationship to the image.

New monograph.

New monograph (available in English edition).

This publication traces two years of a project dedicated to the concept of drift, with theoretical texts, artists' contributions and contributions from educational projects, workshops and exhibitions.

The history and posterity of François Mathey (1917-1993), a singular curator with the destiny of a romantic hero, a major figure in the promotion of contemporary art and a pioneer of artistic heritage.

Mendini's writings 1972-2011.

A collection of recent colored pencil drawings by artist Keegan McHargue.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.