Contemporary art

This monographic catalogue presents a series of works by artist Minouk Lim which draws on the tragic events of the 1950 Korean war and their aftermaths. Based on installations, sculptures, videos, and performance pieces, Lim's visual language mirrors a nation's refusal to face up with its history and initiates a reflective process to come to terms with the past.

Helke Bayrle has—on her own initiative—filmed the installations of exhibitions that have been held at Portikus since the end of 1992. This catalogue features more than 1,000 film stills, a full index of the recorded exhibitions, as well as texts by curators and deans who worked at Städelschule and Portikus over the years.

First of two issues dedicated to the notion of risk in art.

A collection of 37 postcards based on family pictures gathered by the participants of a collective workshop held by the artist and writer Valérie Mréjen. The postcards tell two fictitious family stories, which the reader can freely rearrange to create his own narrative.

The work of Austrian artist Christoph Meier examines space as a site of social interaction and interrogates the conditions of contemporary art production and presentation. This exhibition catalogue provides multiple entry points to his practice, with three in-depth articles by Vanessa Joan Müller, Anna Nowak, and Thomas D. Trummer, and an interview with the artist.

This publication provides a peek into the practice and work of the Swiss artist, using a selection of black and white “behind-the-scenes” photographs taken from Kaspar's hard disk. An additional booklet includes a list of works as they appear in the book as well as a text by artist Mikael Brkic and a longer essay by art historian Daniel Horn.

The new edition of a 1972 publication gathering a series of drawings and texts by Roland Topor in collaboration with his five-year-old son Nicolas.

This first English monograph on the work of Zhao Zhao examines the Chinese artist's working practice, emblematic for art's ability to address conflict—social, political, and aesthetic—in a world undergoing unprecedented upheaval. It features essays by Hou Hanru and Li Zhenhua.

Diogenes as a dog (an illustrated philosophy book for children).

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Gagarin's final issue, featuring original texts by James Welling, Yuki Okumura, Kapwani Kiwanga, Fabio Zimbres, João Maria Gusmão & Pedro Paiva, Kasper Bosmans, Eric Baudelaire, Ieva Miseviciute.

Summer preview of 45 shows worldwide; Irene V. Small explores Jennifer Allora & Guillermo Calzadilla's latest project, which places a Dan Flavin light sculpture deep in a cave in Puerto Rico; Christine Macel talks with Michelle Kuo about the 57th edition of the Venice Biennale; Art Under Nationalism: Dispatch from Warsaw; Johanna Fateman and Tobi Haslett on the 2017 Whitney Biennial and the violence of cultural representation; Ara Osterweil on Warhol and Fassbinder; Lantian Xie; the fall-winter 2017 fashion collections, and much more.

Interviews with Florian Hecker, Ben Bogart, Jonas Lund, Gene Kogan, Eric Drass; AI representation in Black Mirror TV series; Machine Fallibility and Emergent Weirdness; Burak Arikan's Data Asymmetries; the “Fear and Love” exhibition at London's Design Museum…

Vinyl made in France; artists from the French foreign legion; legal artist squats in Paris; interviews with Romeo Castellucci, Patrick Boucheron, Ismaïl Bahri, Alain Della Negra & Kaori Kinoshita; Oona Doherty; Sophie Perez & Xavier Boussiron; New York free jazz icon Annette Peacock; violent sculpting with Anita Molinero, Stéphanie Cherpin, and Daiga Grantina; portfolio by Antoine Bruy, Johanna Benaïnous & Elsa Parra.

New monograph of one of the most important artists rooted in Eastern Europe.

First comprehensive monograph dedicated to the work of Yael Bartana: a comprehensive overview of the artist's films, installations, performative projects, photographs, and sound works of the past 15 years. The publication highlights her fascination with the ways in which social rituals shape both individual identities and collective memory.

Since 2008, Walead Beshty photographs the art people he works with at every stage of his projects. This first volume features a gallery of black and white portraits spanning from 2008 to 2012.

Art Basel's 2016 official annual publication.

A both intimate and political account of the links between artistic practices and activism during the AIDS epidemic of the 1980s and 1990s in France and the United States—featuring monographic texts, interviews, and thematic essays.

A collection of multidisciplinary essays assembled as cadavres exquis and inspired by the magical-financial theories of Finnish-Swedish alchemist August Nordenskiöld (a project by Swedish artists' duo Goldin+Senneby).

An historical survey of globalization in contemporary art.

Artist Sara van der Heide converted the German Library in Guangzhou, China, into a restaging of the Goethe-Institut's German Library and Information Centre of Pyongyang, which operated from 2004 to 2009. The publication features the original multilingual booklets, a documentation on the exhibition and a critical reader.

First monograph by French artist Claire Dantzer, featuring a selection of works from 2005 to present, and an introductory text by Jean-Christophe Arcos. The publication highlights the cross-disciplinary artist's main interests, including subjectsrelated to body and food, as well as literature and children's tales.

First performance of the original 60-minute composition for string quartet in 4 parts, recorded at the Nitsch Foundation in Vienna in 2016. With Anne Harvey-Nagl and Diane Pascal on violins, Marta Potulska on viola, and Mara Achleitner on cello.

A new electro-acoustic composition by Berlin-based artist Stefan Roigk. The radio play like combination of poetic lectures, vocals treatments, concrete sounds and deep vocal drones is based on several live recordings and performances made between 2012 and 2015.

Fifth part in the Selten Gehörte Musik reissue series: recordings by Dieter Roth and Oswald Wiener, at Mosfellssveit, Iceland, from May 28 to 30, 1976.

11 pop songs inspired by artworks from the Frac Île-de-France's collection.

Companion book / reader to the eponymous exhibition at MAAT, Lisbon. It features previously unpublished essays on the ongoing transition from the notion of utopia toward its mirror image: dystopia.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

This publication, edited by Enzo Cucchi, gathers drawings by Alex Katz and words by his son Vincent. It is a project that takes shape through the intimate relationship between the three subjects.

Cloak is a total-blue book which documents a site-specific intervention by Mike Nelson in the UBS building in Monaco. The artist has painted every single room and detail of the building with a pigment called ultramarine blue, extracted from the precious lapislazzuli—originally from the Middle East, and more expensive than gold.

This catalogue presents the projects of artists, designers, writers, directors, musicians, performers, philosophers and researchers in residence at theVilla Medici – French Academy in Rome during the year 2015-2016.

Set in a grotesque and colorful decorum, the new kaleidoscopic visions of Keiichi Tanaami intertwine the obsessional patterns of the great Japanese master—eyes, military aircraft, eroticized flesh, and pop culture icons.

The late Maria Lai; Bruce LaBruce's latest film The Misandrists; the Apollonian and Dionysian in the work of Jill Mulleady; Patrick Jackson; Xavier Veilhan, Christian Marclay and Lionel Bovier talk about their collaboration for the French Pavilion at the 57th Venice Biennale; Yan Xing's art of absence; 1996 interview with Vija Celmins by Jeff Rian; exhibitions reviews…

Inspired by Beirut's urbanism and cultural history, Rechmaoui's sculptures and installations reflect themes of urbanization and contemporary social and behavioral demographics. Including documentation, essays, and interviews, this illustrated monograph takes a look back at twenty years of work by one of the most important post­war contemporary artists from Lebanon and the region.

This publication covers the discursive outcome of the project “Black Hyperbox”—a frame for performance and text based on the alienation between practice and conceptualization.

Catalogue documenting the Canadian artist's most important works to date and a specially commissionned installation. Her steel structures and ceramic works represent menacing hybrid-species engaged in a role play of predator and prey. Includes an essay by Golberg, texts by critics and curators, and a conversation between art historian Leah Pires and neuroscientist Sara Constantino.

An unconventional catalogue gathering a rich iconography and the main text by curator Giacinto Di Pietrantonio, alongside a series of brief testimonies from seventy international artists, telling the alternative story of an icon and his corpus (includes texts by Cory Arcangel, Maurizio Cattelan, Enzo Cucchi, Jan Fabre, Victor Man, Alessandro Mendini, Tim Rollins, Marinella Senatore, Ian Tweedy…).

Drawing on examples from France and the United States, this publication offers a multidisciplinary reflection on a new type of engagement of art in democracy, renewing relationships between creation, culture and society (adaptated from a French publication on the New Patrons's activities, updated with contributions from the Anglo-American intellectual scene).

A collection of essays exploring the current contemporary art scene through the analysis of the works of ten artistic figures of the present days.

An history of assemblage art in California from 1950 to 1970.

The first French translation of Yve-Alain Bois' reference study on modernism

Somewhere in between a magazine issue, an artist's book and a research report, this Kaleidoscope Asia Special edition with guest-editor Simon Denny revolves around a new project by the New Zealand artist set in the Chinese city of Shenzhen.

New monograph: a collection of 352 watercolors made since 2006 by the painter on the theme of industrial landscapes.

Publication gathering an extensive selection of drawings produced by the German artist since the mid-nineties.

The hundred or so drawings gathered in this monograph provide an intimate glance into the work of Martial Raysse, making available for the general public a body of work that has been little known until now. With an introduction by Anaël Pigeat.

Fanzine-like artist's book gathering historical anecdotes on modern print culture.

Photographic series dedicated to pareidolia—the phenomenon of perceiving non-existing things in inanimate objects, such as human faces or animal heads in rocks (artist's book).

7759 – Bodies, Logistics, and Labor is a collective collection of essays which also includes two photographic works by Stefan Burger. The publication examines the notions of surplus value, logistics and globalization, in the framework of a case study on the self-managed dockers from Genoa.