Contemporary art

This catalogue accompanies three solo exhibitions in which two threads in Amelia Pica's practice are brought together: communication between humans and exchange between species. It includes a series of essays on animal rights and the artistic practice of the Argentine artist, as well as documents and an iconographic ensemble.

This catalogue accompanies the group exhibition curated by Meg O'Rourke at Eykyn Maclean gallery in New York. With Viennese architect Adolf Loos's eponymous 1908 diatribe against excessive ornamentation as its guide, the exhibition draws on the tenets set forth by Loos—simplicity, purity, freedom—with particular attention to their philosophical implications and their persistence into the latter twentieth century.

Perhaps It Is High Time for a Xeno-architecture to Match is a Brussels-based curatorial and research project that seeks to examine the possibilities for re-radicalizing architecture. This publication documents a conversation series from January to March 2017 that sums up their reflections.

Artist's book, based on Peter Voigt and Arno Fischer's project developed for the Marx-Engels-Forum in Berlin.

Ascending from the Liquid Horizon focuses on the possibilities and potentials once proposed by speculative narratives about the future, and reflects on the realm that is currently emerging from the intersection of science, corporate interests, and ecology. Vast developments in technology, advancing hand in hand with rapid climate change, predict a situation far more complex than the current one, defined by an environment where technology levels nature and notions of the biological, natural and terrestrial need to be revised.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

An exploration of the absence and presence of the (red) color.

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

Revised and expanded edition of the“Color notebooks” published by the National School of Decorative Arts, a synthesis of a series of in-depth studies initiated by Jacques Fillacier on the characteristics of color perception. A reference pictorial manual, for pedagogical as well as professional purposes, for all practitioners of color—painters, architects, designers, stylists, etc.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

A panorama of the world of do-it-yourself fanzines.

An expanded reflection around the optical principles, the light and the visual perception that constitute the main axes of Flavien Théry's artistic research.

This issue offers various approaches to what the animal point of view can be, through a set of contributions that reflect on this new relational state in which animals can take part in the artistic activity.

10 exhibition reviews (Mike Kelley, Matthew Brannon, « Peindre la nuit », Trisha Donnelly...), 8 interviews (Yan Pei-Ming, Ashley Bickerton, Nathalie Du Pasquier, Arno Brandlhuber, Rob Pruitt, Emily Mae Smith, Ida Tursic & Wilfried Mille...), 9 exhibitions in pictures, some artists special projects, and the chronicles.

Spike Art Magazine #58 (“The Magic Issue”) inaugurates a new formula all in English.

Interviews with Cornelia Sollfrank, Lílian Campesato, Hyphen-Labs, Faith Holland, Mary Flanagan, Spideralex, Linda O'Keeff; Sonic Territories, monumental loudspeakers to the people; books, DVDs and CDs reviews...

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.

Intersubjectivity is a collection of writings on the presence of language in the visual arts: this second volume investigates the relationship between performance, subjectivity, and human agency within a more global reflection on transhumanism.

Since the 1990s, artist Rainer Ganahl has been inspired by Karl Marx's writings. In over 700 pages, this publication brings together essays, photographs and other documentation from dozens of Ganahl's projects adapted from Marx's theories.

Catalogue of Francis Alÿs' exhibition at Beirut Art Center.

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

This collective publication, bringing together texts and images by artists and theoreticians, proposes to turn away from the inexorable question, so often reiterated, “What is painting?”, to question the ways in which the painting is made and thought today, with or without the pictorial medium, in or out of the canvas, with or sometimes without the painters themselves.

A previously unheard masterpiece of Israeli multimedia artist Ami Shavit, inspired by the Yom Kippur war, in Sub Rosa's Early Electronic Music series.

Designed under the direction of the artist, this monograph is devoted to Danh Vo's in situ installation at the CAPC museum, through which the conceptual artist explores the relationship between individual and collective history, and the notions of power and masculinity.

Artist's book with which Lauren Huret looks at the question of erasing images on the Internet.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

Sophie von Hellermann by Tenzing Barshee; David Horvitz in Conversation with Yann Chateigné; Helen Lundeberg by Andrew Berardini; Queer Abstraction by Travis Jeppesen; An Unpardonable Mannerism of Style by Rose Vickers; The Art of Judging a Book by Its Cover by Dieter Roelstraete; Tomás Saraceno; Mario García Torres...

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

First major monograph devoted to the “Icarus of Lautertal”, a key figure of outsider art, flying machines inventor Gustav Mesmer. This publication looks back at his path through essays by Lucienne Peiry, Juliane Stiegele and Franz Xaver Ott, as well as photographs by Franco Zehnder and Stefan Hartmaier.

New monograph: a retrospective of Cécile Bart's main projects since fifteen years, from the multiple configurations of her painting/screen to her most recent immersive works, with three interviews.

Artist's book.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, Anna & the Jester in Window of Opportunity is published in conjunction with the exhibition of work by Julie Béna, which takes the form of an architectural tale.

17th issue proposes a journey through the many “mental geographies” deployed by 43 contributors, artists, historians, scientifics, and writers.

Philosopher Ludger Schwarte presents a critical essay against the notion of contemporaneity in art and pleads for a renewed temporality: an art of futurity.

The first French translation of Neuhaus's writings.

An extensive investigation on art conducted for thirty years by an artist for whom the archives constitute an artistic material in its own right.

First monograph dedicated to the artistic freelance photography of industrial photographer and filmmaker Giorgio Wolfensberger (1945-2016). Beginning with the black-and-white documentary photography of his first years, the publication then documents a rich body of colorful photographs depicting with humor, the strangeness of everyday life and its objects.

This publication celebrates 10 years of Poptronics, a French online media dedicated to net-culture: net-art, video games, music and sound art, hacktivism, post-digital art… For its tenth anniversary, Poptronics brought up a collective archive of its materials, revisited by the French digital art scene.

Editor-in-chief David Velasco introduces a special artist project by Martine Gutierrez, Bruce Hainley on the art of Cady Noland, Daniel Marcus on Picasso: Blue and Rose, Kaelen Wilson-Goldie on the art of Banu Cennetoğlu, plus a special previews section with over 40 exhibitions worldwide; including Nari Ward at the New Museum, Wong Ping at Kunstalle Basel, the Sharjah Biennial, and more.

Nils Alix-Tabeling; Emmanuel Fureix looks at political conflicts through the prism of acts of destruction; an emerging generation of writers chronicles contemporary Ireland; survivalist experience in contemporary art; dance and the video game industry; Steven Cohen; Élisabeth Filhol; Philippe Quesne; Mimosa Échard...

The sixth volume of the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, brings together two films by Belgian filmmaker Jef Cornelis on the opening of the Castello di Rivoli in 1985, whose inaugural exhibition was conceived by curator Rudi Fuchs, and the 1987 edition of Skulptur Projekte Münster, organized by Kasper König and Klaus Bussmann.

An exploration of the theme of emptiness in art (exhibition catalogue).

Soil Affinities explores the connections of (post)colonial history and the movement of plants for agriculture, from Aubervilliers, a northern suburb of Paris, to formerly French West Africa (Mali and Senegal). This publication and Uriel Orlow's eponymous project retrace the lines and networks of earthly connections between plants and humans through images, maps, texts, and interviews conducted in France, Senegal, and Mali over the span of two years.

Reference monograph.

This luxurious comprehensive catalogue, lavishly illustrated, brings together works from throughout the artist's career, from early collages and Polaroids, to the images of flowers, nudes, sexuality and portraits that made him one of the most notable photographers of the last century. It includes texts by art historian Jonathan K. Nelson and by Susan Sontag

A critical examination of the relationship between aesthetics and politics through the iconic figure of Carla Lonzi (1931-1982), an innovative art critic and one of the founders of neo-feminism in Italy.

An investigation into the artistic and political issues of participatory art since the 1990s.

Katja Lee Eliad's Map Maker Like Lyrical offers a retrospective view on the self-taught artist's work over the past two decades. The extensively illustrated book is accompanied by two essays by Valentina Iancu and Anca Verona Mihuleț and a conversation with the artist by Nicolas de Ribou, aiming to map the coordinates of a tortuous journey.

A selection of recent works by one of the central figures in today's Norwegian painting.