Contemporary art

Monograph.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins (limited edition, signed, including an original and unique artwork).

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

Richard Tuttle and color.

Vast cross-composition by Jean-Yves Bosseur and Benjamin Bondonneau created for the Bordeaux ensemble le Un. A wild thought towards Claude Lévi-Strauss and his notion of "bricolage".

The 1Shanthiroad Cookbook brings together a collection of recipes from the community kitchen of 1Shanthiroad Studio/Gallery, compiled and edited by the space's founding director, Suresh Jayaram.

Moving across personal anecdotes, moments in history, cultural memory, and scientific did-you-knows, Mario Santanilla's Still Life takes the reader on a virtual journey across a range of sights and sites.

Nadira Husain's comprehensive work is brought together in this monograph for the first time in its breadth and complexity and shows over 100 works from the past six years.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

Klima #2 focuses on the global ecological crisis, the impact of human activity on its environment and the interdependence between the entities that make up the Earth.

The new issue of the magazine dedicated to drawing, with height long-length interviews with Linus Bill, Adrien Horni & Joseph Allen Shea, Acacio Ortas, Olivier Lebrun, Éditions Peinture around Saeio, Hélène Bertin, Étienne Périn, Son Ni, Daniel Dewar & Grégory Gicquel.

The best of 2019.

Colorful characters express themselves through humorous signs.

A series of illustrations depicting automobiles set in a chaotic post-apocalyptic world, inspired by the dystopian aesthetics of the 1980s and 1990s.

This historical essay recounts the story of the EXAT 51 collective—the first Yugoslavian abstract art group—and how it shaped the idea of abstract socialism by associating socialist cultural politics and modernist artistic practice.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

An overview of video art production from the Pearl River Delta in China: having emerged in the mid-1980s, this vital yet under-represented art scene is thoroughly documented in this richly illustrated catalogue (460 ill.) which features works by nearly sixty artists (catalogue of the inaugural exhibition at Times Art Center Berlin).

Stemming from the namesake exhibition program at Cooper Gallery, Of Other Spaces draws on women artists' activism from the 1970s to the present day to build a reflection on feminist thinking as a provocative and cogent mode of creative and critical inquiry.

Halfway between a catalogue and a reader, this publication documents a long-term, touring exhibition project on the critical reception of Hubert Fichte's ethnographic travel literature. This large-scale initiative brings forth a multi-faceted debate on colonial modernism, ethnography, poetry and sexuality.

Catalogue.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Exhibition catalogue.

This catalogue documents a research and exhibition project stemming from a fieldwork conducted by the artist on a palaeontological site in South Australia.

This autobiographical novel describes the author's esoteric quest and involvement with a shaman in the hope of saving his mother, diagnosed with terminal cancer.

This publication documents a project inspired by Bradbury's Fahrenheit 451, in which performers memorize a book to form a collection of living books to be read in libraries by visitors. The publication brings together eighteen text contributions from artists and theoreticians, and a visual essay.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

A photographic archive of the transgender community in Bologna in the 1980s. With critical texts by scholars and queer theorists.

First monograph dedicated to the radical Swedish painter, draftsman, sculptor, and precursor of sound arts (audio CD included).

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

Thomas Krempke's photographic diary.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

This issue of Flash Art, with essays by Dorothea von Hantelmann and Isobel Harbison, dedicates sixteen-pages dossier to the work of Rebecca Horn, a pivotal figure of performative art, and develops a series of reflections on a younger generation of contemporary artists who are now using their bodies or their personas as agents in an attempt to re-cognize themselves in a present that increasingly rewards the loss of self-consciousness.

First major retrospective monograph dedicated to the Franco-Lebanese sculptor.

A reflection on the value of speech and anonymity as well as on the authority at work in the distribution of knowledge.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

Issues 16 to 18 of the critical review dedicated to graphic design.

A radio novel inspired by the author's previous publication, associating infuences from sound fictions, experimental music, sound poetry, and rap.

An overview of the experiments carried out over four years by the CCE research laboratory of the National School of Art of Limoges, between ceramics, glass and new technologies.

The first album of Ophelia, a band composed of the artist Emilie Pitoiset and two members of Aluk Todolo, Shantidas Riedacker and Matthieu Canaguier.

A talk between three artists around Julia Scher's work.

Michael Scott's ink drawings .