various

Conversation with filmmakers Arnaud and Jean-Marie Larrieu.

The result of a series started in 2008, all of The Naked Eye photographs are looks between the fanned pages of paperbacks that date back to the 1950s–1970s. This first exhaustive monographic publication of an ongoing series reveal a particular taste for mass-market celebrity biographies and movie novelizations featuring photo sections and pulpy paper stained by brightly-dyed edges.

Since 1986, Max Armengaud takes photographic portraits of European Institutions, from the Paris Opera to the Vatican city.

By creasing photographs from the golden age of porn magazine, Patrick Weidmann dismantles their deep-rooted conservative values and reconstructs an underlying aesthetics, an underside of desire.

A poem of sheer brutality on the corporal incarnation of the language.

A professional portrait of the writer.

A review of voluntary bareness and simplicity practices in art.

Third issue, edited by artists duo Magali Daniaux & Cédric Pigot, with a cover by photographer Jérôme Bonnet.

Collection of poems following the tale of a Queen who meets with her evil Doppelgänger in the form of an Angel.

Invece is an art and poetry review directed by Julien Blaine. It gathers contributions based on a specific theme. This third issue is dedicated to Cimendef, the legendary maroon from Bourbon Island.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

The guide of the video and digital art collection.

This trilingual publication dedicated to the Polish artist and theorist deceased in 2014 emphasize his essential contribution to action art by gathering previously unpublished articles from his friends and colleagues in the contemporary art world. The authors recount his ideas, career and influence. Photos, reproductions of the artist's original articles and a DVD all serve to enrich this publication.

Artist's book.

Proposals for an ecology of diagnosis.

Reference monograph dedicated to Marc-Antoine Fehr's paintings whose strangeness recall the absurd universes of Beckett and Kafka.

Alex Hubbard's first comprehensive monograph, Eat Your Friends is also an artist's book.

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

Up to date / Art, biology, (Al)Chem(istr)y / Etre étonné, c'est un bonheur ! (Ardouvin, Bagot, Barbazanges, Brial, Chotard, Darrot, Davrinche, Pierre & Gilles, Rauzier, Rousseau, Villeglé) / Céleste Boursier-Mougenot / Jocelyn Robert / Pascal Pinaud.

A series of short visual stories designed with refinement by Japanese artist Koyama, whose subtle's pencil stroke, narrative use of geometric forms and application to render textures contributed to build a most fascinating artist's book.

A novel on German artist and writer Unica Zürn, a close friend of the surrealist movement and Hans Bellmer's lover.

A tale on the search for an ancestral relic that has the power to annihilate the universe. At the crossroads of an adventure novel, a science-fiction narrative, and a punk story.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

A new series of oil paintings by Swiss artist which unveils the strange and wonderful aspects of common life.

Artist's magazine.

6th issue of the art and research magazine is dedicated to Jean-Christophe Averty.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

A documentation on Claude Closky's artwork commissioned by the Paste association as part of the New Patrons program.

First monograph. An overview of French artist Corinne Laroche's work and artistic process since 1995, with two essays and an interview.

This seventh issue gathers six polymorphic texts about the many aspects of drunkenness and intoxication in art and society (with Sébastien S. Th. Biset, Antoine Boute, Emmanuel Giraud, Pierre Hemptinne, Tom Marioni, Véronique Nahoum-Grappe).

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.

This collection of photographs was made following an assignment commissioned to eight photographers from eight different neighbourhoods in Geneva. Their photographs were initially exhibited on billboards for the “Vis-à-vis” event. The editorial process resulted in a book on its own, in which various gazes “derive” within their own variations of urban space.

This book discusses preservation and outcomes of design-related objects in artistic collections taking the example of Dieter Roth's works inside the Frac Bretagne's collection.

Three art historians offer perspectives and analyses on Monkman's work that address history and genre painting, the queered Romantic landscape, the shifting and unfixed subject, race, sexuality, conquest and sovereignty, and modern versus discontinuous temporality.

This new “varia” issue of Volume! is made of six papers proposing different while often complementary perspectives on popular music (the role of the Hellfest festival in representations and uses of metal culture, discourses of loudness in rock music, recent evolutions in South American music, Damon Albarn and the English identity, La Monte Young vs The Velvet Underground). Also in the issue: Alf Björnberg and wind harmony, a musical device by Bruno Lefebvre...

The second issue of Jungle Juice brings together some 30 collaborators, close to collective Supernova. Front cover made after a drawing from comic book artist Jim Starlin.

A 300 page pulp book, compiling a series of 230 short texts by Justin Lieberman in alphabetical order, as well as an essay telling the story of a now-destroyed installation piece, to which the texts were originally related: “The Corrector's Custom Pre-Fab House”. The texts, with their sarcastic tone, can be read autonomously: they are a meditation on capitalism and material culture, between poetry, description and fiction.

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

A collective work bringing together thirty contributors, based on an experimental research project conducted with artists and theoreticians (philosophers, sociologists, historians, scientists...) around the question of the formats of art, a forgotten yet decisive issue that crosses contemporary artistic practices in depth.

An extensive documentation on Céleste Boursier-Mougenot's installation for the French Pavilion of the 56th International Art Exhibition of the Venice Biennale.

Miriam Sturzenegger's Renovieren is a compilation of texts about space, time, and the relationship between them, as well as with her work.

A fiction reflecting on the issues of language and information.

Collection of poems by Cameroonian poet Kouam Tawa.

Catalogue.

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

Alessandra Eramo (Ezramo) talks about growing up in Tarano, a city shaped by Catholicism and superstition, by industrial pollution and the ancient tradition of mussel farming. Includes link to the audio files of the sound installation Se Dio Vuole.

This catalogue, based on works and publications in the Serralves Collection, reconstitutes the trajectory of the KWY group and its members—from Lisbon to Paris, to Munich—, their collaborations with other artists and publications and their links to international avant-garde movements.

Special offer: the two complementary monographs États seconds and Perturbations.