Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy.
Artful Objects includes a reproduction of Harman's lecture “What Is an Object?” at Moderna Museet in Stockholm, held on occasion of the exhibition Sculpture after Sculpture, with Jeff Koons, Charles Ray, and Katharina Fritsch. Artists, who have expanded the notion of the object in art and society at large. In his lecture, Harman gives a thorough exposition of the object from an ontological standpoint and puts forward a concept of the object that goes beyond reductionist orientations. He declares a philosophical approach bringing philosophy and the arts closely together, where objects are impenetrable to direct knowledge and paraphrase and instead must be approached obliquely and indirectly. The publication also includes a reproduction of a succeeding symposium taking place in the exhibition, where thirteen questions to Graham Harman—among and in relation to the thirteen sculptures of the show—were posed about the implications of object oriented philosophy for art, business administration, and philosophy.
Graham Harman (born 1968 in Iowa City) is an American philosopher specializing in Heidegger's thought.
His work on the metaphysics of objects led to the development of object-oriented ontology. He is a central figure in the speculative realism trend in contemporary philosophy.
Edited by Isak Nilson and Erik Wikberg.
Texts by Daniel Birnbaum, Marcia Cavalcante, Michael Dahlén, Graham Harman, Jenny Lanz, Pierre Guillet de Monthoux, Isak Nilson, Sigrid Sandström, Ebba Sjögren, Emma Stenström, Lars Strannegård, Sven-Olov Wallenstein, Jo Widoff, Erik Wikberg.
