The fourth volume of Rémy Zaugg's complete writings (1973-1980): a collection of texts on Donald Judd and
minimalist sculpture.
"These texts trace my relationship with sculpture. Writing is an instrument subjugatedto comprehensive perception by which reflective perception is formed about a work. It has helped me to question and learn, rather than to dispel knowledge. This explains the studious nature of these texts, their circonvolutions, bypasses and returns, hesitations of a necessarily empirical progression around and about sculpture."
Second edition of the book published in 1997 (ISBN 978-2-84066-022-4).
