In this second volume, dedicated to the Brussels
Surrealist Group (1926),
you could hear rare documents including the voice of Magritte explaining why it's impossible to answer to the questions of journalists...
As a nucleus started forming in 1924 around Magritte, Nougé, Lecomte, etc., dissension arose, spawning Correspondance (1924-26)—extensively documented in Volume 1—and the editorial activities of Magritte and
Mesens: the only issue of Oesophage (1925), obviously influenced by
Dada (Schwitters was a contributor), and then Marie (1926-27). Distances (1928) will finally bring together all the main forces from Brussels and abroad...
