Dork Zabunyan,
Arab Uprisings and Impersonal Images
/
Tom McDonough,
The Language of Negation: From Montage
to Détournement in the Situationist International
/
Mica Gherghescu,
“Malaise.” The Displacements of a Word
/
Gabriella Coleman,
Our Weirdness is Free
/
Antek Walczak,
Shit Happens: The Incredible Chronicle of OWS Yet Hardly Have Ye Begun to Fight
/
Caroline Busta and Amy Yao,
This Way to the Cupcake Party
/
Visual Insert: Flyers from the Occupy Wall
Street Movement
/
Robert McKenzie,
On Alex Bag and Patterson Beckwith's, “Cash from Chaos/Unicorns & Rainbows”
/
Karl Holmqvist,
On “Pacific Standard Time, Art in Los Angeles,
1950 - 1980”
/
Melanie Ohnemus,
On Judith Hopf's, “end rhymes and openings”
Karl Holmqvist,
On Isa Genzken's “Die kleine Bushaltestelle”
/
Benjamin Thorel,
On David Douard's, “Innerspace:
Jean Comandon/David Douard”
Marwan Makki,
On Uncreative Writing
by Kenneth
Goldsmith
/
limited edition:
Nick Mauss and Ken Okiishi.
Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, once a year, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields.
An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also
intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.
