Olivier Zahm,
“I think it's time to break off…”
/
Hervé Legros,
Preface (Documents sur l'art
, no 2,
1993)
/
interview with
Olivier Zahm
/
Stephan Geene,
Wishing to be in Paris, led to be in
Berlin or different ways to escape
the nineties
/
Axel Huber, visual insert
/
Catherine Chevalier,
interview with Roberto Ohrt
/
Maija Timonen,
Looking the part – The Empty Plan
by Anja Kirschner and David Panos
/
Clara Schulman,
Gerard Byrne, “In San Francisco
they say, “Flash on it””
/
Karl Holmqvist,
Ken Okiishi, (Goodbye to)
Manhattan
/
François Aubard,
Richard Prince, American Prayer
/
Rob MacKenzie,
Emily Sundblad
/
Elisabeth Lebovici
Henrik Olesen, La maculée
conception
Henrik Olesen, The Immaculate
Conception
Karl Holmqvist
Rirkrit Tiravanija, The days of
this society is numbered
/
Vincent Romagny,
Koenraad Dedobbeleer, The duplication
of Dedobbeleer
/
Scott Portnoy
Christopher d'Archangelo,
Contrary to Intuition,
Let's Begin with an Image
/
limited edition:
UNITED BROTHERS (Ei
Arakawa & Tomoo Arakawa).
Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, once a year, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields.
An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also
intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.
