Women (female artists)

Based on a new exhibition project in Venice, this monograph traces six decades of the renowned American feminist artist’s career.

This illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.

The first monograph by acclaimed fine-art photographer Lara Porzak, The Chemistry of Memory presents over 140 photographs, many previously unpublished, in a single definitive volume.

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

An exploration of the subversive work of Gabriele Stötzer, a leading figure in the GDR's underground art scene, through her photographic archives (experimental photographs, Super 8 films, performances, and actions in public spaces), over which the artist superimposes new drawings.

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

Claire Tenu's photographic landscape studies.

Claire Tenu photographs the apartment-artwork of a friend and artist in Warsaw, furnished entirely with shopping carts from a home improvement store and tires.

A boxed publication bringing together drawings, photographs, texts, printed matter and a sound piece, extending the artist's project beyond the space and time of her exhibition at Kunsthaus Biel / Centre d'art Bienne (KBCB).

Signed and numbered edition, including a picture disc, of the boxed publication bringing together drawings, photographs, texts, printed matter and a sound piece, extending the artist's project beyond the space and time of her exhibition at Kunsthaus Biel / Centre d'art Bienne (KBCB).

Published on the occasion of Eglė Budvytytė's representation of Lithuania for its national pavilion at the 61st Venice Biennale, this book offers an overview of the artist’s interdisciplinary practice.

Zenit brings together photographs, films, and light-responsive installations by Berlin-based artist Shirin Sabahi. Shown in non-chronological order, and some for the first time, the photographs ground her artistic roots in photography—at times as a study, and at others as the work itself.

A new monograph on the Italian artist Chiara Camoni, published in conjunction with her exhibition at the Italian Pavilion of the 61st Venice Biennale.

This book brings together poetic and theoretical texts about Callisto (a woman with a bear's head, a writer and a mythical figure), using metaphors as a form of anti-capitalist resistance.

A work conceived as an installation, as part of the project created by Amina Agueznay for the Moroccan Pavilion at the 61st Venice Biennale.

A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that connect living beings to their environment.

The second monograph on artist Sarah Tritz looks back on the last ten years of her work.

Comprehensive and previously unpublished documentation on the unproduced magnum opus of American composer Maryanne Amacher (1938–2009).

First monograph.

Eroticism and sexuality in Marina Abramović's work.

The catalog accompanying the provocative performance installation by Austrian artist and choreographer Florentina Holzinger, presented at the 61st Venice Biennale.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

On the occasion of Megan Francis Sullivan's solo exhibition at Kunsthaus Glarus, this publication serves as a visual essay bringing together materials related to the project's production and reception.

A selection of texts by Valentine de Saint-Point, emblematic of both the Belle Époque and anticolonial militancy.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

Scholar and curator Christine Eyene serves as guest editor for this special issue, featuring a central section dedicated to the work and place of women—particularly Lubaina Himid—within the Black Arts Movement.

First monograph on the Swedish artist.

A monumental anthology of critical essays devoted to the figure of Umberto Riva, introduced and edited by Maria Bottero, accompanied by a collection of sketches and drawings from the architect’s personal archives (new revised edition).

A text that is both humorous and political by visual artist and author Laurence Denimal.

Conceived as a hybrid between an exhibition catalogue and a fashion lookbook, as well as a document of their practice and a sculptural object in its own right, the Women's History Museums' first publication interweaves newly commissioned texts with illustrated image spreads that reference iconic precedents, from Matsuda's 1990s lookbooks to early Vivienne Westwood.

A dive into the world of designer Anaïs Borie, where design is fueled by storytelling, fiction, and the hybridization of expertise, at the crossroads of craftsmanship, digital technologies, and industrial processes.

Artists' book.

A pair of small-format artist's books, conceived as two visual sequences bound together by tension, attraction, and delay.

This artist's book for insiders brings together a selection of Polaroids, silver gelatin photographs, and collages that are part of a series of works on eroticism that Cécilia Jauniau has been working on since 2023.

This first monograph devoted to Claire Colin-Collin’s painting traces her artistic development since the late 1990s.

Artist's book.

This monograph traces the dazzling and prolific career of French designer Pauline Deltour (1983–2021) and showcases the richness of her work through images drawn from an extensive archive and contributions from curators, designers, and collaborators.

The choreographic in cinema.

The "suspensive" artist Chloé Mogli invites authors, illustrators and researchers to write with her what the gesture of standing above the void generates as perceptions and thoughts, and invites us to suspend our perceptions of reality.

A book presenting for the first time the reverse sides of artist Dominique De Beir's works, revealing the exploration that went into giving shape to the drawings.

A retrospective of a deeply prolific and fruitful period in Huguette Caland's career, spent in Paris between 1970 and 1987, during which the Lebanese artist, giving birth to her joyful eroticism and freeing herself from all conventions, reinvented herself and produced some of her greatest masterpieces.

Monograph dedicated to the practice of the South Korean-German artist, painted works that articulate her visions in ever more expansive formats since 2012.

New monograph.

Publishing a selection of her radiophonic essays here for the first time, I Speak Radio reflects Anne Bromley's collaborative radio practice.

First comprehensive monograph on American artist Ann Leda Shapiro (b. 1946), including previously censored and rarely seen works, contextualized within feminist art histories.

The first extensive monograph on the Thai artist.

Artist's book.

Artist's book.