Women (female artists)

A series of previously unpublished interior paintings by Karen Kilimnik.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 numbered risograph prints, an 8-page booklet, and a postcard).

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

The search for identity by Stefan Oberbrünner, a German Jewish lawyer who fled to France in 1934, was interned under the Vichy regime, and was then deported on Convoy No. 51 to Sobibor in 1943. A narrative woven from archival materials, evocative drawings, and reflections on memory.

Kate Carr's new album explores a vertical trajectory through the UK capital, re-imagined from top to bottom in a suite of elegant and mysterious field recordings.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

An original publication bringing together Esther Ferrer's performance scores and a previously unpublished long-form conversation on creation, language, freedom and action.

A comprehensive overview of the artistic and conceptual work of Henrike Naumann, one of the most influential voices of her generation, who died at the age of 41 shortly before the opening of her project for the German Pavilion at the 61st Venice Biennale.

First monograph.

Painter Merike Estna's new artist book, accompanying the Estonian pavilion at the 61st Venice Biennale.

Unfolding through accumulation and overprinting, this book focuses on the materiality and the drawings at the heart of Tolia Astakhishvili's practice.

The first catalogue raisonné of a Lettrist artist: a comprehensive collection of the 464 works (paintings, objects, multiples, works on paper) produced by Maggy Mauritz (born in 1941)—a pioneering artist in graffiti art and Lettrism—over more than six decades, featuring approximately 600 color illustrations.

The Camargo Foundation hosted artist Lara Tabet in Cassis for a residency in 2024-2025. Her project Enter Corridors explores the complexity of the port and coastal environments of La Ciotat, as well as that of the Calanques National Park.

Beneath the dome of the Bourse de Commerce – Pinault Collection, within Tadao Ando's concrete cylinder, Fujiko Nakaya's Fog Sculpture appears as a landscape of mist drifting beyond the Rotunda's boundaries – thickening and dispersing in response to shifting air currents and visitors' movements.

Anniversary issue celebrating Mousse's 20th anniversary.

An investigation by the Italian artist into obstetric violence, drawing on her family history.

Published on the occasion of Nilbar Güreş's exhibition presented at the Türkiye Pavilion during the 61st International Art Exhibition of La Biennale di Venezia, this volume explores themes of the body, space, belonging, migration, and subtle transformation.

The first reader of essays devoted to the work of the renowned artist and media pioneer Lynn Hershman Leeson.

Salomé Lamas' selected works from 2017 to 2025.

Aeolian Suite is a publication that offers a porous extension of Jenna Sutela's work presented at the Pavilion of Finland at La Biennale di Venezia 2026, where meaning drifts, gathers, and slips away. Accompanied by a vinyl record featuring excerpts from the work's original score, it brings together the project's dispersed elements of sound, movement and atmosphere in a form that can be held yet remains in flux.

An artist's book based on Laila Hida's long-term project exploring fantasized representations of palm trees, the desert, and oases in Western popular culture.

Julie Vayssière explores the potential of a list of words taken from a dictionary.

Based on a new exhibition project in Venice, this monograph traces six decades of the renowned American feminist artist’s career.

This illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.

The first monograph by acclaimed fine-art photographer Lara Porzak, The Chemistry of Memory presents over 140 photographs, many previously unpublished, in a single definitive volume.

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

An exploration of the subversive work of Gabriele Stötzer, a leading figure in the GDR's underground art scene, through her photographic archives (experimental photographs, Super 8 films, performances, and actions in public spaces), over which the artist superimposes new drawings.

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

Claire Tenu's photographic landscape studies.

Claire Tenu photographs the apartment-artwork of a friend and artist in Warsaw, furnished entirely with shopping carts from a home improvement store and tires.

Signed and numbered edition, including a picture disc, of the boxed publication bringing together drawings, photographs, texts, printed matter and a sound piece, extending the artist's project beyond the space and time of her exhibition at Kunsthaus Biel / Centre d'art Bienne (KBCB).

Published on the occasion of Eglė Budvytytė's representation of Lithuania for its national pavilion at the 61st Venice Biennale, this book offers an overview of the artist’s interdisciplinary practice.

Zenit brings together photographs, films, and light-responsive installations by Berlin-based artist Shirin Sabahi. Shown in non-chronological order, and some for the first time, the photographs ground her artistic roots in photography—at times as a study, and at others as the work itself.

A new monograph on the Italian artist Chiara Camoni, published in conjunction with her exhibition at the Italian Pavilion of the 61st Venice Biennale.

This book brings together poetic and theoretical texts about Callisto (a woman with a bear's head, a writer and a mythical figure), using metaphors as a form of anti-capitalist resistance.

A work conceived as an installation, as part of the project created by Amina Agueznay for the Moroccan Pavilion at the 61st Venice Biennale.

A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that connect living beings to their environment.

The second monograph on artist Sarah Tritz looks back on the last ten years of her work.

Comprehensive and previously unpublished documentation on the unproduced magnum opus of American composer Maryanne Amacher (1938–2009).

First monograph.

Eroticism and sexuality in Marina Abramović's work.

The catalog accompanying the provocative performance installation by Austrian artist and choreographer Florentina Holzinger, presented at the 61st Venice Biennale.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

On the occasion of Megan Francis Sullivan's solo exhibition at Kunsthaus Glarus, this publication serves as a visual essay bringing together materials related to the project's production and reception.

A selection of texts by Valentine de Saint-Point, emblematic of both the Belle Époque and anticolonial militancy.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

Christiane Geoffroy’s "fragments" work through small touches, through trial and error. Their great temporal flexibility allows them to wander from the origins of the universe and life to generations not yet born. At times, they function as short performative poems.

Five stories set in a world in upheaval, taking us to the far reaches of Russia, Ukraine, South Africa, the Democratic Republic of the Congo... and the Botanical Garden of the National Museum of Natural History in Paris. Non-human beings are the central characters in these stories.

Scholar and curator Christine Eyene serves as guest editor for this special issue, featuring a central section dedicated to the work and place of women—particularly Lubaina Himid—within the Black Arts Movement.