Women (female artists)

First monograph.

First recording: a cascade of sounds and words, recorded one after the other as they arose in the mind, consists of songs and poetry from diverse sources as well as original works by the artist.

First monograph dedicated to Marie-Claire Mitout's series of painted images, fixing the best of the day, a life's work initiated in 1990 now including more than one thousand gouache paintings on paper.

Kein Witz, No Joke combines paintings and objects by Sophie Reinhold with the "Typewritings" of Ruth Wolf-Rehfeldt. As different as the artists may be, their works share a manic perseverance, precision, and subversive humor.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

A 16-channel piece composed between 2016 and 2020, inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary, in memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.

Carmelo Bene. Là dove muore, canta is the work of the artist Rä di Martino and she comes to terms with the memory of Carmelo Bene (1937–2002), through his archive materials.

Part visual essay, oral history and artist book, DNCB – A History of Irritation is a companion to the multi-channel installation DNCB by Oliver Husain and Kerstin Schroedinger, around the history of the chemical substance DNCB, used both in film and photo labs to process color, and as a treatment in alternative AIDS clinics.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

First monograph of the Kenyan artist.

An autobiographical artist-talk as a performance delivered from the artist's bed over Zoom.

Vannina Maestri is an author associated with the 2020-2021 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.

Laura Vazquez is an author associated with the 2019/2020 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of four exhibitions, composed freely around the works and ideas she perceived there.

Curva Cieca Oblio was born out of the collaboration between two artists whose paths have intertwined many times over the course of twenty years. The work of Muna Mussie, who investigates the languages of the visual and performing arts, for this creation on record extends and enters into a fusional dialogue with the rigorous and prismatic sound vision of Massimo Carozzi, also an explorer of the relationships between different languages.

Isabelle Graw reflects on the purposes and struggles of friendship in competitive social milieus.

The adventures of a French art student as she visits New York to work as an assistant for an established artist.

Lynn Cassiers and Jozef Dumoulin pay a luminous tribute to the music of the twelfth-century composer, abbess, mystic and poetess Hildegard von Bingen, in a setup of voice with electronics accompanied by pipe organ.

This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.

Artist's book.

First monograph on the work of German artist Ani Schulze, which explores the relationship between the human body and technology through sculpture, painting, drawing, sound and video.

A new revised version of the notebook of the legendary American dancer, artist and choreographer Simone Forti in which she shares her poetry as well as her thoughts on dance, the body, writing, the state of the world.

The first monograph of Alice de Montparnasse, an instinctive photographer, mixing self-portraits on the razor's edge, concrete cityscapes, and portraits of intimates where dirt becomes a wonder. Alice de Montparnasse's work remains in the vein of the artistic life of her great-great cousin Kiki de Montparnasse.

A semi-digital audio publication by performance artist and musician from Northwestern Quebec Emilie Roby.

Hardscapes / Here documents and brings together two exhibition projects by artists Nina Canell and Maria Hassabi. Produced on the occasion of the exhibitions of the same name curated by Samuele Piazza at the OGR Torino, the publication consists of two graphically specular books that merge into a single volume.

First monograph.

On December 11, 1980 Eliane Radigue performed live on KPFA. Her full performance is included here, remastered, on two compact discs. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard.

This first monograph on Swiss artist Louisa Gagliardi introduces her specific voice within the landscape of contemporary painting.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

An artist's book dedicated to the "bestiary of objects" designed by Israeli-born artist Tamar Hirschfeld during a two-year residency at the Cirva (International Glass and Visual Arts Research Centre) in Marseille, rooted in the culinary imagination of everyday life in France and Provence.

The intimate and unpublished portraits of the American artist's partner.

A series of images made along the rivers by the Switzerland-based French photographer, meeting the fishermen of the canton of Fribourg: an investigation giving birth to a visual tale based on the realities of river fishing.

Claudia Comte's "autobiography" (artist's book).

This publication features a selection of photographs by Lisetta Carmi, documenting the social transformations of Genoa during the 1960s. Carmi witnessed the economic boom of the city, but also its everyday life, including her famous photo series of transvestites which caused a scandal at the time (new edition).

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

A new series of very large-format drawings, the ideal entry point into the world of Mad Meg.

Publication based on a project initiated by Dora Budor at Progetto (Lecce, Italy) in 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy.

First monograph.

Publication dedicated to Lebanese artist Nayla Romanos Iliya's "Small Characters" sculptures, inspired by and named after each of the 22 letters of the Phoenician Alphabet.

Monilola Olayemi Ilupeju's debut collection of writing.

A series of images in deep blacks of an abandoned fortress near Siwa in Egypt, whose stone and salt walls have been eroded by rainwater, transforming this city into a mineral and sculptural monument.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

A set of sculpture-paintings, paintings and drawings of the artist made over the period 2020-2022, accompanied by a text by fashion historian and artistic director Olivier Saillard.

An unprecedented insight into the artist's 1990s fashion collection.

The first comprehensive monograph of the art and life of Iranian American artist of Armenian descent Sonia Balassanian: in this deeply personal portrait, author Dr. Omar Kholeif weaves together poetry, memoir, and historical anecdote to trace the contours of Balassanian's world.