Women (female artists)

Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter.

First monograph on Irish artist.

This publication documents new works by artists such as Olafur Eliasson, Isa Genzken, Sarah Lucas, Aleksandra Mir, Mathilde Rosier, Eva Rothschild or Gary Webb, invited to develop projects on the theme of nuclear war.

A set of drawings and two series of photos by Anna Gaskell: a journey through the dreamlike and strange universe of the American artist.

For a reassessment of the function of art in late capitalist society (contributions by Bernadette Corporation, Will Bradley, Claude Closky, Dejanov & Heger, Liam Gillick, Lars Bang Larsen, Daniel Pflumm, Superflex...).

Reflections of a major figure of contemporary abstraction on her pictorial and graphic work.

The format of the Eternmale duplicates Pirelli's famous calendars, while subverting its codes. The artist's book reproduces a serie of collages based on Playboy magazine's features of « bachelor pads » in the ‘60s. With an interview of the artist by beatrix Ruf.

Always There offers a comprehensive survey of American artist Julia Scher's work. The artist's installations and performances have always featured a complex relation to techno-social control, demonstrating our complicity in the proliferating technologies used to surveil both our physical and virtual identities.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

François-Timoléon de Choisy's writings (1644-1724), presented and illustrated with original collages by Gabrielle Wittkop.

Reprint of Kusama's porno-artistic tabloid of 1969.

Reference monograph.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

Urlaub constitutes Genzken's multilayered inquiry into the meaning of work and leisure.

This book presents the whole texts of the Living series by Jenny Holzer, printed on 400 tracing paper pages.

Catalogue.

Exhibition catalogue.

A series of wedding dresses sculptures: the ghosts of historic and mythological women of the Antiquity.

35 copies limited edition poster, signed.

Exhibition catalogue.

Cindy Sherman's first catalogue.

“Reading” of the famous Artemisia Gentileschi (1593-1633) painting Judith et Holopherne by contemporary artists(Buren, Kosuth, Paolini, Sonneman, Twombly...); texts by Roland Barthes, Eva Menzio and Léa Lublin.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

Sheila Hicks' recent monumental and architectural-based projects.

A both poetic and political text which supports the French social movement that began on 31 March 2016.