Women (female artists)

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

An overview of photo and video works by Farah Al Qasimi between 2017 and 2021, with which the artist investigates how spaces and subjectivities inflect and influence each other.

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

A series of works by the duo of painters Les Sœurs Siamoises, who work the images together "like a decomplexed table tennis game, with Indian cactus in the pin-up colors of the forests of the kingdom of Siam".

Recital presents As Above, So Below, a new album from French multi-instrumentalist Delphine Dora, centered around mystic piano and voice recordings.

A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.

A unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad.

The first publication dedicated to the French artist known for her avant-garde practice, pushing back the codes of the textile industry, questioning the dichotomy between made-to-measure and ready-to-wear, and the place of women and the female body in society.

An evocative chronicle of the Lower East Side's halcyon days, from Giovan's archives.

A new critical reading of key dimensions of the Los Angeles-based French artist's work.

First monograph of the French textile artist.

Nina Canell's artistic practice does not revolve around the finished artwork; instead, it foregrounds process and synergy. This artist's book/catalogue is based on an experiential installation that considers the material vitality of calcite.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

An intimate dialogue between the works of the two artists over four decades.

Pauline Oliveros' first solo recording, available on LP for the first time since it was originally released in 1982.

A survey of Louise Nevelson's research on collage.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

A major turning-point in the sonic oeuvre of Eliane Radigue.

An unprecedented insight into Louise Bourgeois' art by Jenny Holzer.

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

The culinary performances and installations of the Japanese artist based in Paris (book printed in fluorescent pantones).

Lily Van der Stokker's illustrated autobiography of her life in New York in the 1980s, when she opened a gallery in the East Village.

"Two Duos" is pressed from cellist Okkyung Lee's OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it's magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities.

How to teach art / can we become an artist?

A sound creation based on the texts and voice of Giampiero Cane performed by himself and manipulated by the composer Daniela Cattivelli, who electronically projected them into a chaotic flow.

First monograph.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

First monograph.

Belgian soprano Sarah Defrise dedicates her first new music album to the American mezzo-soprano Cathy Berberian, featuring exclusively a capella pieces which were written for Berberian by some of the most prominent composers of her time.

The artist Denise Bertschi highlights the little-known Swiss presence between the two Koreas in the aftermath of the war in 1953, and questions the supposed neutrality of the country.

Artist's book.

In 2020, Caroline Rennequin painted 301 flowers. A series of gouaches on hand-made Indian cotton paper reproduced entirely in this book.

Mesmerising 1992 performance from the Dhrupad master vocalist Amelia Cuni, accompagnied by renowded vina player Gianni Ricchizzi and Helmut Waibl on pakhawaj.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

A crazed narrative of entasy, a free-fall plunge into the vortex of digital introspection and poetic-cum-militant blackness.

An anthology.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

Drawing on the borders of abstraction: first monograph, conceived as an artist's book, produced in close collaboration with Léa Belooussovitch, as close to the aesthetics of her felt pen drawings.

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.